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<rss version="0.91">
  <channel>
    <title>Harold Carr   </title>
    <link>http://www.haroldcarr.net/community/index.rss</link>
    <description>Harold Carr</description>
    <language>en</language>

  <item>
    <title>Gwyneth Carr Zufelt</title>
    <link>http://www.haroldcarr.net/community/index.rss/2007/12/07#2007-12-07-gwyneth-carr-zufelt</link>
    <description>
&lt;p&gt;
Hi Grandpa. I just arrived.  It was a rough time for me but my Mom was
great and did a wonderful job of bringing me into the world. I weigh 7
pounds 1 ounce and am super healthy.  I can't wait to meet you.  Here
are some pictures my Dad took when he first meet me a couple of hours
ago.  I hope you like them and he said to call tomorrow when you get
some time.
&lt;br/&gt;&lt;br/&gt;
Love,&lt;br/&gt;
Gwyneth Carr Zufelt
&lt;/p&gt;

&lt;p&gt;
From Jasmine the next day:
&lt;/p&gt;

&lt;p&gt;
Hello Everyone.  Yesterday was the big day.  Bruce and I arrived at
the hospital at 5 a.m. on Friday and spent the day in labor.  Gwyneth
made her way into the world at 4:55 pm.  Not too bad of a day.  She
weighed in at 7 pounds 1 ounce and she is nearly 20 inches long at 19
3/4. Our new little family is doing well as we actually got some sleep
during last night. We should be leaving the hospital first thing
Sunday morning.
&lt;br/&gt;
&lt;br/&gt;
Talk to all of you soon.&lt;br/&gt;
Jasmine
&lt;/p&gt;

&lt;p&gt;
&lt;table&gt;
&lt;tr&gt;

&lt;td&gt;
&lt;a href=&quot;http://haroldcarr.org/photos/2007/12/2007-12-07-gwyneth-carr-zufelt/index.html&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://haroldcarr.org/photos/2007/12/2007-12-07-gwyneth-carr-zufelt/thumbnails/gwyneth_img_2243.jpg&quot;&gt;&lt;/div&gt;&lt;/a&gt;
&lt;/td&gt;

&lt;td&gt;
&lt;a href=&quot;http://haroldcarr.org/photos/2007/12/2007-12-07-gwyneth-carr-zufelt/index.html&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://haroldcarr.org/photos/2007/12/2007-12-07-gwyneth-carr-zufelt/thumbnails/gwyneth_img_2258.jpg&quot;&gt;&lt;/div&gt;&lt;/a&gt;
&lt;/td&gt;

&lt;/tr&gt;

&lt;tr&gt;
&lt;td span=&quot;2&quot;&gt;
&lt;div class=&quot;caption&quot;&gt;&lt;a href=&quot;http://haroldcarr.org/photos/2007/12/2007-12-07-gwyneth-carr-zufelt/index.html&quot; target=&quot;_top&quot;&gt;more pictures...&lt;/a&gt;&lt;/div&gt;
&lt;/td&gt;
&lt;/tr&gt;

&lt;/table&gt;
&lt;/p&gt;

</description>
  </item>
  <item>
    <title>a recent trip to California</title>
    <link>http://www.haroldcarr.net/community/index.rss/2007/01/31#2007-01-27-29-california</link>
    <description>
&lt;p class=&quot;noindent&quot;&gt;&lt;span 
class=&quot;cmbx-12&quot;&gt;Saturday, January 27, 2007 &amp;#8212; upright locked position&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;
&lt;div class=&quot;verse&quot;&gt;
        &lt;!--l. 618--&gt;&lt;p class=&quot;noindent&quot;&gt; I am&lt;br /&gt;
        a concept&lt;br /&gt;
        like rain&lt;br /&gt;
        in reality&lt;br /&gt;
        &lt;span 
class=&quot;cmti-10x-x-109&quot;&gt;it &lt;/span&gt;doesn&amp;#8217;t exist&lt;br /&gt;
        instead&lt;br /&gt;
        a million water drops&lt;br /&gt;&lt;br /&gt;
        thought like a clock&lt;br /&gt;
        connecting ticks&lt;br /&gt;&lt;br /&gt;
        what you see &amp;amp;&lt;br /&gt;
        what you say&lt;br /&gt;&lt;br /&gt;
        out the window&lt;br /&gt;
        through thin&lt;br /&gt;
        clouds 4 billion&lt;br /&gt;
        years of rock&lt;br /&gt;
        &amp;amp; blue reflecting&lt;br /&gt;
        centuries&lt;br /&gt;
        while we move&lt;br /&gt;
        in the porous world&lt;br /&gt;
                                                                     

                                                                     
&lt;br /&gt;
        the sun moved&lt;br /&gt;
        too before you&lt;br /&gt;
        a desire&lt;br /&gt;
        to become one&lt;br /&gt;
        &amp;#8212;the buffalo long gone
&lt;/p&gt;
&lt;/div&gt;
   [Written on a plane flying SLC&lt;span 
class=&quot;cmsy-10x-x-109&quot;&gt;&amp;#x2192;&lt;/span&gt;Oakland with Flavia while reading &lt;a 
href=&quot;http://en.wikipedia.org/wiki/Bob_Perelman&quot; &gt;Bob
Perelman&lt;/a&gt;&amp;#8217;s &lt;span 
class=&quot;cmti-10x-x-109&quot;&gt;a.k.a. &lt;/span&gt;Venus and Chiara picked us up at the airport. We drove to
24th Street in SF. I hung out at &lt;a 
href=&quot;http://www.dogearedbooks.com/phoenix/contact.php4&quot; &gt;Phoenix Books&lt;/a&gt; while they walked and shopped
the street. Later that night we went to &lt;a 
href=&quot;http://www.jazzatpearls.com/&quot; &gt;Pearl&amp;#8217;s&lt;/a&gt; and heard drummer &lt;a 
href=&quot;http://www.ubiquityrecords.com/babatunde_lea.html&quot; &gt;Babatunde
Lea&lt;/a&gt;&amp;#8217;s band with Richard Howell (sax &amp;amp; vocal), Glen Pearson (piano) and Geoff
Brennan (bass). Mr. Brenan did some triplets in thumb position that were very
striking&amp;#8212;I think with three fingers on his right hand&amp;#8212;I&amp;#8217;ve got to figure it out.
Afterwards we walked across the street to City Lights where I picked
up &lt;a 
href=&quot;http://www.poets.org/poet.php/prmPID/704&quot; &gt;Cole Swensen&lt;/a&gt;&amp;#8217;s &lt;span 
class=&quot;cmti-10x-x-109&quot;&gt;Noon &lt;/span&gt;and other books. Then we drove &amp;#8220;home&amp;#8221; to
Sonoma.]
&lt;!--l. 618--&gt;&lt;p class=&quot;indent&quot;&gt;   &lt;a 
 id=&quot;27-poem-self-perelman-end&quot;&gt;&lt;/a&gt;
&lt;/p&gt;&lt;!--l. 640--&gt;&lt;p class=&quot;indent&quot;&gt;   &lt;a 
 id=&quot;28-poem-morning-bed&quot;&gt;&lt;/a&gt;&lt;span 
class=&quot;cmr-9&quot;&gt;id: 28-poem-morning-bed&lt;/span&gt; &lt;/p&gt;
&lt;div class=&quot;center&quot; 
&gt;
&lt;!--l. 640--&gt;&lt;p class=&quot;noindent&quot;&gt;
&lt;/p&gt;&lt;!--l. 640--&gt;&lt;p class=&quot;noindent&quot;&gt;&lt;span 
class=&quot;cmbx-12&quot;&gt;Sunday, January 28, 2007 &amp;#8212; morning&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;
&lt;div class=&quot;verse&quot;&gt;
        &lt;!--l. 640--&gt;&lt;p class=&quot;noindent&quot;&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;         in bed&lt;br /&gt;&lt;br /&gt;
        &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;    drift&lt;br /&gt;&lt;br /&gt;
        &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;       &amp;amp;&lt;br /&gt;&lt;br /&gt;
        &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;     list&lt;br /&gt;&lt;br /&gt;
          (&amp;amp; forget)
&lt;/p&gt;
&lt;/div&gt;
                                                                     

                                                                     
   [At Venus and Chiara&amp;#8217;s in Sonoma.]
&lt;!--l. 640--&gt;&lt;p class=&quot;indent&quot;&gt;   &lt;a 
 id=&quot;28-poem-morning-bed-end&quot;&gt;&lt;/a&gt;
&lt;/p&gt;&lt;!--l. 662--&gt;&lt;p class=&quot;indent&quot;&gt;   &lt;a 
 id=&quot;28-poem-coal-sound&quot;&gt;&lt;/a&gt;&lt;span 
class=&quot;cmr-9&quot;&gt;id: 28-poem-coal-sound&lt;/span&gt; &lt;/p&gt;
&lt;div class=&quot;center&quot; 
&gt;
&lt;!--l. 662--&gt;&lt;p class=&quot;noindent&quot;&gt;
&lt;/p&gt;&lt;!--l. 662--&gt;&lt;p class=&quot;noindent&quot;&gt;&lt;span 
class=&quot;cmbx-12&quot;&gt;Sunday, January 28, 2007 &amp;#8212; coal&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;
&lt;div class=&quot;verse&quot;&gt;
        &lt;!--l. 662--&gt;&lt;p class=&quot;noindent&quot;&gt; white light&lt;br /&gt;
        behind the cave(s)&lt;br /&gt;
        like five&lt;br /&gt;
        blind&lt;br /&gt;
        bats alive&lt;br /&gt;
        evolving alone along the border&lt;br /&gt;&lt;br /&gt;
        (turn to the sky)
&lt;/p&gt;
&lt;/div&gt;
   [Written in response to the sounds of words in Cole Swensen&amp;#8217;s &amp;#8220;The
Landscape Around Viarmes number 3.]
&lt;!--l. 662--&gt;&lt;p class=&quot;indent&quot;&gt;   &lt;a 
 id=&quot;28-poem-coal-sound-end&quot;&gt;&lt;/a&gt;
&lt;/p&gt;&lt;!--l. 684--&gt;&lt;p class=&quot;indent&quot;&gt;   &lt;a 
 id=&quot;28-poem-photo&quot;&gt;&lt;/a&gt;&lt;span 
class=&quot;cmr-9&quot;&gt;id: 28-poem-photo&lt;/span&gt; &lt;/p&gt;
&lt;div class=&quot;center&quot; 
&gt;
&lt;!--l. 684--&gt;&lt;p class=&quot;noindent&quot;&gt;
&lt;/p&gt;&lt;!--l. 684--&gt;&lt;p class=&quot;noindent&quot;&gt;&lt;span 
class=&quot;cmbx-12&quot;&gt;Sunday, January 28, 2007 &amp;#8212; photo&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;
&lt;div class=&quot;verse&quot;&gt;
        &lt;!--l. 684--&gt;&lt;p class=&quot;noindent&quot;&gt; facing a forest&lt;br /&gt;
        birds in the sky&lt;br /&gt;
        a well (or wall) behind&lt;br /&gt;
                                                                     

                                                                     
        somewhere a sea&lt;br /&gt;
        a sound&lt;br /&gt;
        child blurred turning&lt;br /&gt;
        image
&lt;/p&gt;
&lt;/div&gt;
   [A condensing of Swensen&amp;#8217;s &amp;#8220;The Landscape Around Viarmes&amp;#8221; sequence in
&lt;span 
class=&quot;cmti-10x-x-109&quot;&gt;Noon&lt;/span&gt;. I&amp;#8217;d love to use the line &amp;#8220;mile after mile sea after child&amp;#8221; too, but I
can&amp;#8217;t&amp;#8212;too blantant (perhaps as a title?).]
&lt;!--l. 684--&gt;&lt;p class=&quot;indent&quot;&gt;   &lt;a 
 id=&quot;28-poem-photo-end&quot;&gt;&lt;/a&gt;
&lt;/p&gt;&lt;!--l. 701--&gt;&lt;p class=&quot;indent&quot;&gt;   &lt;a 
 id=&quot;28-note-swensen-noon&quot;&gt;&lt;/a&gt;&lt;span 
class=&quot;cmr-9&quot;&gt;id: 28-note-swensen-noon&lt;/span&gt; &lt;/p&gt;
&lt;div class=&quot;center&quot; 
&gt;
&lt;!--l. 701--&gt;&lt;p class=&quot;noindent&quot;&gt;
&lt;/p&gt;&lt;!--l. 701--&gt;&lt;p class=&quot;noindent&quot;&gt;&lt;span 
class=&quot;cmbx-12&quot;&gt;Sunday, January 28, 2007 &amp;#8212; sounds from cole&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;
&lt;div class=&quot;verse&quot;&gt;
        &lt;!--l. 701--&gt;&lt;p class=&quot;noindent&quot;&gt; bare where stare there air&lt;br /&gt;&lt;br /&gt;
        sun one once done&lt;br /&gt;
        blind nine line a lake&lt;br /&gt;&lt;br /&gt;
        when awake was world woke what want
&lt;/p&gt;
&lt;/div&gt;
   &lt;a 
 id=&quot;28-note-swensen-noon-end&quot;&gt;&lt;/a&gt;
&lt;!--l. 725--&gt;&lt;p class=&quot;indent&quot;&gt;   &lt;a 
 id=&quot;28-poem-white-relativity&quot;&gt;&lt;/a&gt;&lt;span 
class=&quot;cmr-9&quot;&gt;id: 28-poem-white-relativity&lt;/span&gt; &lt;/p&gt;
&lt;div class=&quot;center&quot; 
&gt;
&lt;!--l. 725--&gt;&lt;p class=&quot;noindent&quot;&gt;
&lt;/p&gt;&lt;!--l. 725--&gt;&lt;p class=&quot;noindent&quot;&gt;&lt;span 
class=&quot;cmbx-12&quot;&gt;Sunday, January 28, 2007 &amp;#8212; white&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;
&lt;div class=&quot;verse&quot;&gt;
                                                                     

                                                                     
        &lt;!--l. 725--&gt;&lt;p class=&quot;noindent&quot;&gt; train on its rail smoothly&lt;br /&gt;
        inside its own world&lt;br /&gt;
        traveling to the sea&lt;br /&gt;
        a field on fire out the windown fading&lt;br /&gt;
        curving across the world&lt;br /&gt;
        the face looking back your own&lt;br /&gt;&lt;br /&gt;
        walking on a moving train&lt;br /&gt;
        green blends with the blind equation&lt;br /&gt;
        field after field&lt;br /&gt;
        all we see is light
&lt;/p&gt;
&lt;/div&gt;
   [A condensing of Cole&amp;#8217;s &amp;#8220;Thought Experiment&amp;#8221; sequence in &lt;span 
class=&quot;cmti-10x-x-109&quot;&gt;Noon&lt;/span&gt;.]
&lt;!--l. 725--&gt;&lt;p class=&quot;indent&quot;&gt;   &lt;a 
 id=&quot;28-poem-white-relativity-end&quot;&gt;&lt;/a&gt;
&lt;/p&gt;&lt;!--l. 737--&gt;&lt;p class=&quot;indent&quot;&gt;   &lt;a 
 id=&quot;28-note-bass-seller&quot;&gt;&lt;/a&gt;&lt;span 
class=&quot;cmr-9&quot;&gt;id: 28-note-bass-seller&lt;/span&gt; &lt;/p&gt;
&lt;div class=&quot;center&quot; 
&gt;
&lt;!--l. 737--&gt;&lt;p class=&quot;noindent&quot;&gt;
&lt;/p&gt;&lt;!--l. 737--&gt;&lt;p class=&quot;noindent&quot;&gt;&lt;span 
class=&quot;cmbx-12&quot;&gt;Sunday, January 28, 2007 &amp;#8212; bass seller&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;
&lt;!--l. 737--&gt;&lt;p class=&quot;indent&quot;&gt;   From Wilhelm:
&lt;/p&gt;&lt;!--l. 737--&gt;&lt;p class=&quot;indent&quot;&gt;   Michael Olivola (and his wife).
&lt;/p&gt;&lt;!--l. 737--&gt;&lt;p class=&quot;indent&quot;&gt;   &lt;a 
 id=&quot;28-note-bass-seller-end&quot;&gt;&lt;/a&gt;
&lt;/p&gt;&lt;!--l. 774--&gt;&lt;p class=&quot;indent&quot;&gt;   &lt;a 
 id=&quot;28-note-music-andrew&quot;&gt;&lt;/a&gt;&lt;span 
class=&quot;cmr-9&quot;&gt;id: 28-note-music-andrew&lt;/span&gt; &lt;/p&gt;
&lt;div class=&quot;center&quot; 
&gt;
&lt;!--l. 774--&gt;&lt;p class=&quot;noindent&quot;&gt;
&lt;/p&gt;&lt;!--l. 774--&gt;&lt;p class=&quot;noindent&quot;&gt;&lt;span 
class=&quot;cmbx-12&quot;&gt;Sunday, January 28, 2007 &amp;#8212; music at Andrew&amp;#8217;s&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;
&lt;!--l. 774--&gt;&lt;p class=&quot;indent&quot;&gt;   Sunday morning lying around reading while Flavia and Venus laugh in the
front room and Chiara makes a great breakfast. We drive to Napa and tour
&lt;a 
href=&quot;http://copia.org/&quot; &gt;Copia&lt;/a&gt;. Then we have a light dinner at a deli in downtown Napa before splitting
up&amp;#8212;me to Andrew&amp;#8217;s in Oakland to play music&amp;#8212;them back to Sonoma to have
dinner with Venus&amp;#8217; family (Flavia&amp;#8217;s ex).
                                                                     

                                                                     
&lt;/p&gt;&lt;!--l. 774--&gt;&lt;p class=&quot;indent&quot;&gt;   I arrive in Oakland after an hour drive. Andrew and I hug and head upstairs
to his studio where I get out my bass that is stored at his house. I was planning
on selling it, but the minute I took it out of its case I changed my mind&amp;#8212;the
wood is too beautiful.
&lt;/p&gt;&lt;!--l. 774--&gt;&lt;p class=&quot;indent&quot;&gt;   I warm up while Andrew sets up his recording gear and saxophones and
flutes. A bit later Debra Craig (drums) and Terry Rolerie (guitar) arrive. We
improvise then take a dark chocolate, blood orange and cake break. Then
improvise again. Terry is a very quiet electric guitar player (and avid bike rider)
and Debra is a sensitive drummer. Lucky for me&amp;#8212;I played without an
amp.
&lt;/p&gt;&lt;!--l. 774--&gt;&lt;p class=&quot;indent&quot;&gt;   Driving home I found a station with some great solo piano&amp;#8212;kind of an
update minimilist Eric Satie. The show was &lt;a 
href=&quot;http://hos.com&quot; &gt;Heart of Space&lt;/a&gt; playing &lt;a 
href=&quot;http://en.wikipedia.org/wiki/Hans_Otte&quot; &gt;Hans Otte&lt;/a&gt;&amp;#8217;s
&lt;a 
href=&quot;http://www.hos.com/php/showProgram.php?program=0062&quot; &gt;&lt;span 
class=&quot;cmti-10x-x-109&quot;&gt;The Book of Sounds&lt;/span&gt;&lt;/a&gt;. I just caught the tailend at 10:50pm. PT. At that
time it was just single piano notes, one after another, no chords. But
the choice of intervals and sequence were beautiful. I&amp;#8217;ve gotta get that
work.
&lt;/p&gt;&lt;!--l. 774--&gt;&lt;p class=&quot;indent&quot;&gt;   &lt;a 
 id=&quot;28-note-music-andrew-end&quot;&gt;&lt;/a&gt;
&lt;/p&gt;&lt;!--l. 800--&gt;&lt;p class=&quot;indent&quot;&gt;   &lt;a 
 id=&quot;29-poem-body&quot;&gt;&lt;/a&gt;&lt;span 
class=&quot;cmr-9&quot;&gt;id: 29-poem-body&lt;/span&gt; &lt;/p&gt;
&lt;div class=&quot;center&quot; 
&gt;
&lt;!--l. 800--&gt;&lt;p class=&quot;noindent&quot;&gt;
&lt;/p&gt;&lt;!--l. 800--&gt;&lt;p class=&quot;noindent&quot;&gt;&lt;span 
class=&quot;cmbx-12&quot;&gt;Monday, January 29, 2007 &amp;#8212; her body&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;
&lt;div class=&quot;verse&quot;&gt;
        &lt;!--l. 800--&gt;&lt;p class=&quot;noindent&quot;&gt; where she lives&lt;br /&gt;
        she fills it completely&lt;br /&gt;
        (let me touch your lip&lt;br /&gt;
        it is is your &amp;amp; it is)&lt;br /&gt;
        where &amp;amp; to watch&lt;br /&gt;
        inseperable from her&lt;br /&gt;
        silent &amp;amp; private country&lt;br /&gt;
        sleep in my cupped hands&lt;br /&gt;
        where you can see clear&lt;br /&gt;
        to the bottom words carved&lt;br /&gt;
        into the body falling&lt;br /&gt;
        her arm as if&lt;br /&gt;
        it lived her life too
                                                                     

                                                                     
&lt;/p&gt;
&lt;/div&gt;
   [A condensing of Cole&amp;#8217;s &amp;#8220;Signature&amp;#8221; sequence in &lt;span 
class=&quot;cmti-10x-x-109&quot;&gt;Noon&lt;/span&gt;.]
&lt;!--l. 800--&gt;&lt;p class=&quot;indent&quot;&gt;   &lt;a 
 id=&quot;29-poem-body-end&quot;&gt;&lt;/a&gt;
&lt;/p&gt;&lt;!--l. 838--&gt;&lt;p class=&quot;indent&quot;&gt;   &lt;a 
 id=&quot;29-note-embassey&quot;&gt;&lt;/a&gt;&lt;span 
class=&quot;cmr-9&quot;&gt;id: 29-note-embassey&lt;/span&gt; &lt;/p&gt;
&lt;div class=&quot;center&quot; 
&gt;
&lt;!--l. 838--&gt;&lt;p class=&quot;noindent&quot;&gt;
&lt;/p&gt;&lt;!--l. 838--&gt;&lt;p class=&quot;noindent&quot;&gt;&lt;span 
class=&quot;cmbx-12&quot;&gt;Monday, January 29, 2007 &amp;#8212; Chilean Embassey San&lt;/span&gt;
&lt;span 
class=&quot;cmbx-12&quot;&gt;Francisco&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;
&lt;!--l. 838--&gt;&lt;p class=&quot;indent&quot;&gt;   We said goodbye to Venus and Chiara and drove to San Francisco. Flavia had
an appointment at the Chilean Embassey to get her passport renewed. While she
took care of her business I went to &lt;a 
href=&quot;http://www.rasputinmusic.com/sanfran.html&quot; &gt;Rasputin Music&lt;/a&gt; and picked up some CDs. In
particular, one I&amp;#8217;ve been looking for: Thelonius&amp;#8217; &lt;span 
class=&quot;cmti-10x-x-109&quot;&gt;Monk&amp;#8217;s Greatest Hits&lt;/span&gt;. The exact
versions of the tunes on this CD made me realize just how much Monk was a
percussionist (in a different way from McCoy Tyner). I want to transcribe
some of his approaches to his melodies and solos and arrange them for
bass.
&lt;/p&gt;&lt;!--l. 838--&gt;&lt;p class=&quot;indent&quot;&gt;   Then I went a block away to &lt;a 
href=&quot;http://www.codysbooks.com/&quot; &gt;Cody&amp;#8217;s&lt;/a&gt; (the San Francisco branch -
unfortunately the Berkeley branch closed down recently) and picked up &lt;a 
href=&quot;http://www.hum.utah.edu/display.php?module=facultyDetails&amp;personId=528&amp;orgId=297&quot; &gt;Craig
Dworkin&lt;/a&gt;&amp;#8217;s &lt;a 
href=&quot;http://www.roofbooks.com/book/?GCOI=93780100039240&amp;fa=author&amp;Person_ID=73&amp;PublisherGCOICode=93780&quot; &gt;&lt;span 
class=&quot;cmti-10x-x-109&quot;&gt;Strand&lt;/span&gt;&lt;/a&gt; (I figured I should learn a little about the author&amp;#8217;s work who
lives and works so close by).
&lt;/p&gt;&lt;!--l. 838--&gt;&lt;p class=&quot;indent&quot;&gt;   Flavia and I then hooked up and drove to Berkeley and had lunch at &lt;a 
href=&quot;http://www.lanoterestaurant.com/&quot; &gt;La Note&lt;/a&gt;
on Shattuck. After lunch we walked a few doors down to &lt;a 
href=&quot;http://www.pegasusbookstore.com/&quot; &gt;Pegasus Books&lt;/a&gt; where I
picked up Bob Perelman&amp;#8217;s &lt;a 
href=&quot;http://www.writing.upenn.edu/pennsound/x/Perelman.html&quot; &gt;iflife&lt;/a&gt;.
&lt;/p&gt;&lt;!--l. 838--&gt;&lt;p class=&quot;indent&quot;&gt;   We drove to the airport (several hours early for a change) and enjoyed
reading all our new books waiting for the plane and flying back to Salt
Lake.
&lt;/p&gt;&lt;!--l. 838--&gt;&lt;p class=&quot;indent&quot;&gt;   &lt;a 
 id=&quot;29-note-embassey-end&quot;&gt;&lt;/a&gt;
&lt;/p&gt;</description>
  </item>
  <item>
    <title>poetry bus at Ken Sanders</title>
    <link>http://www.haroldcarr.net/community/index.rss/2006/09/09#2006-09-08-poetry-bus-at-ken-sanders</link>
    <description>
&lt;p&gt;
&lt;table&gt;
&lt;tr&gt;

&lt;td&gt;
&lt;a href=&quot;http://haroldcarr.org/photos/2006/09/2006-09-08-poetry-bus-at-ken-sanders/index.html&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://haroldcarr.org/photos/2006/09/2006-09-08-poetry-bus-at-ken-sanders/thumbnails/pict0070.jpg&quot;&gt;&lt;/div&gt;&lt;/a&gt;
&lt;/td&gt;

&lt;td&gt;
&lt;a href=&quot;http://haroldcarr.org/photos/2006/09/2006-09-08-poetry-bus-at-ken-sanders/index.html&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://haroldcarr.org/photos/2006/09/2006-09-08-poetry-bus-at-ken-sanders/thumbnails/pict0071.jpg&quot;&gt;&lt;/div&gt;&lt;/a&gt;
&lt;/td&gt;

&lt;/tr&gt;

&lt;tr&gt;
&lt;td span=&quot;2&quot;&gt;
&lt;div class=&quot;caption&quot;&gt;&lt;a href=&quot;http://haroldcarr.org/photos/2006/09/2006-09-08-poetry-bus-at-ken-sanders/index.html&quot; target=&quot;_top&quot;&gt;more pictures...&lt;/a&gt;&lt;/div&gt;
&lt;/td&gt;
&lt;/tr&gt;

&lt;/table&gt;
&lt;/p&gt;

&lt;p&gt; poetry at Sanders&lt;br /&gt;
        &amp;amp; her tanned shoulders&lt;br /&gt;
        one after another &lt;br /&gt;
        authors all&lt;br /&gt;
        older than sound&lt;br /&gt;&lt;br /&gt;
        checkmate meaning crisscross&lt;br /&gt;&lt;br /&gt;
        just testing jests&lt;br /&gt;
        the poet&lt;br /&gt;
                                                                     

                                                                     
        should her answer call&lt;br /&gt;
        off streaming creeks lakes books&lt;br /&gt;
        books books voice in page&lt;br /&gt;
        say heart or brain or joke &amp;amp; &lt;br /&gt;
        some sound mumble tone&lt;br /&gt;
        says softly seeming visit&lt;br /&gt;
        or living here all mingling&lt;br /&gt;
        stumbling down trusts the poet&lt;br /&gt;&lt;br /&gt;
        he she mostly he&lt;br /&gt;
        sings their say hear&lt;br /&gt;
        &amp;amp; why worry&lt;br /&gt;
        about being behind&lt;br /&gt;
        time or even&lt;br /&gt;
        ahead oddly posted often if&lt;br /&gt;
        blest hymn
&lt;/p&gt;</description>
  </item>
  <item>
    <title>painting, performance, party, porch, picnic</title>
    <link>http://www.haroldcarr.net/community/index.rss/2006/08/20#2006-08-18-19-painting-performance-party-porch-picnic</link>
    <description>
&lt;p&gt;
&lt;table&gt;
&lt;tr&gt;

&lt;td&gt;
&lt;a href=&quot;http://haroldcarr.org/photos/2006/08/2006-08-18-19-painting-performance-party-porch-picnic/index.html&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://haroldcarr.org/photos/2006/08/2006-08-18-19-painting-performance-party-porch-picnic/thumbnails/pict0070.jpg&quot;&gt;&lt;/div&gt;&lt;/a&gt;
&lt;/td&gt;

&lt;td&gt;
&lt;a href=&quot;http://haroldcarr.org/photos/2006/08/2006-08-18-19-painting-performance-party-porch-picnic/index.html&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://haroldcarr.org/photos/2006/08/2006-08-18-19-painting-performance-party-porch-picnic/thumbnails/pict0093.jpg&quot;&gt;&lt;/div&gt;&lt;/a&gt;
&lt;/td&gt;

&lt;/tr&gt;

&lt;tr&gt;
&lt;td span=&quot;2&quot;&gt;
&lt;div class=&quot;caption&quot;&gt;&lt;a href=&quot;http://haroldcarr.org/photos/2006/08/2006-08-18-19-painting-performance-party-porch-picnic/index.html&quot; target=&quot;_top&quot;&gt;more pictures...&lt;/a&gt;&lt;/div&gt;
&lt;/td&gt;
&lt;/tr&gt;

&lt;/table&gt;
&lt;/p&gt;

&lt;p&gt;
On Friday we went to 

&lt;a href=&quot;http://www.lucarelli.com/&quot;&gt;Michael Lucarelli&lt;/a&gt;'s art opening
&quot;lyrical meditations, &quot; followed by attending the
&lt;a href=&quot;http://www.johnflanders.com/&quot;&gt;John Flander&lt;/a&gt;'s and Double Helix
concert at Westminster (the inaugural performance for the 
&lt;a href=&quot;http://www.excellenceconcerts.org/&quot;&gt;series&lt;/a&gt;
that we will play with
&lt;a href=&quot;http://pbimstein.googlepages.com/redrockrondo&quot;&gt;Red Rock Rondo&lt;/a&gt;
in May 2006).  
After the concert we went to Michael and Shayla's birthday party.&lt;/p&gt;

&lt;p&gt;The next morning we spent the morning on the porch and in the
garden, followed by a hike to Dog Lake from MillCreek Canyon with Phillip
and Charlotte.&lt;/p&gt;

        &lt;!--l. 895--&gt;&lt;p class=&quot;noindent&quot;&gt; &lt;span 
class=&quot;cmti-10x-x-109&quot;&gt;&lt;em&gt;defined horizon 1&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;
        &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;             &amp;#8212;for Phillip, Charlotte, Flavia &amp;amp; Suni&lt;br /&gt;&lt;br /&gt;
        out in the mountains&lt;br /&gt;
        looking down&lt;br /&gt;
        on the destined horizon&lt;br /&gt;
&lt;/p&gt;
</description>
  </item>
  <item>
    <title>Flavia, Harold and Coco &quot;in Utah this week&quot;</title>
    <link>http://www.haroldcarr.net/community/index.rss/2006/08/14#2006-07-21-in-utah-this-week</link>
    <description>
&lt;p&gt;On July 21, 2006 Kim Burgess interviewed us for an article on our
home that appeared in the August 3, 2006 issue of
&lt;a href=&quot;http://www.inthisweek.com/&quot;&gt;&quot;in Utah this week&quot;&lt;/a&gt; magazine.
The original online edition of the article (different from the print edition)
can be found &lt;a href=&quot;http://www.inthisweek.com/article.asp?id=242&quot;&gt;here&lt;/a&gt;.
&lt;/p&gt;

&lt;p&gt;(The following is a stripped down copy of the online
   version---which is different from the print edition---in case the
   original link disappears.)&lt;/p&gt;

&lt;p&gt;HAPPY COINCIDENCE GUIDES COUPLE TO DREAM HOME&lt;/p&gt;

&lt;p&gt;Home Tour by Kim Burgess&lt;/p&gt;

Synchronicity is not only the name of a great Police song, but a
real-life experience that sometimes guides people to exactly what they
need.&lt;br&gt;&lt;br&gt;

&lt;img src=&quot;http://haroldcarr.org/photos/2006/07/2006-07-21-in-utah-this-week/HomeTour2HaroldFlaviaCocoPortrait.JPG&quot; align=&quot;right&quot;&gt;
If you don't believe me, ask Harold Carr and Flavia Cervino-Wood. Two
years ago, the couple were looking to expand from a 980 square-foot
house to something bigger. They searched Emigration Canyon, but
decided they were too far from nightlife and high-speed
Internet. Luckily, the moon was in the seventh house and Jupiter
aligned with Mars. &lt;br&gt;&lt;br&gt;

On a casual drive, Cervino-Wood spotted a lovely old bungalow and was
immediately drawn to it. Ironically, it was the same home that Carr
had admired for years on bike rides. &quot;I would look up and see the
porch and think that it looked great,&quot; Carr said.&lt;br&gt;&lt;br&gt;

&lt;a href=&quot;http://haroldcarr.org/photos/2006/07/2006-07-21-in-utah-this-week/index.html&quot;&gt;more ...&lt;/a&gt;

</description>
  </item>
  <item>
    <title>Milton Voigt, March 19, 1924 - July 29, 2006</title>
    <link>http://www.haroldcarr.net/community/index.rss/2006/08/09#2006-07-30-milton-voigt</link>
    <description>
&lt;p&gt;
&lt;table&gt;
&lt;tr&gt;

&lt;td&gt;
&lt;a href=&quot;http://haroldcarr.org/photos/MiltonVoigt/index.html&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://haroldcarr.org/photos/MiltonVoigt/thumbnails/miltonvoigt.jpg&quot;&gt;&lt;/div&gt;&lt;/a&gt;
&lt;/td&gt;

&lt;/tr&gt;

&lt;tr&gt;
&lt;td span=&quot;2&quot;&gt;
&lt;div class=&quot;caption&quot;&gt;&lt;a href=&quot;http://haroldcarr.org/photos/MiltonVoigt/index.html&quot; target=&quot;_top&quot;&gt;larger image&lt;/a&gt;&lt;/div&gt;
&lt;/td&gt;
&lt;/tr&gt;

&lt;/table&gt;
&lt;/p&gt;


&lt;p class=&quot;indent&quot;&gt;   Milton Voigt died July 29, 2006 in Salt Lake City of causes incident to age.
He was born in Milwaukee, Wisconsin in 1924 to Ester Bartelt and Arthur
William Voigt. In World War II he was a navigator-bombardier in the U.S. Army
Air Corps.
&lt;/p&gt;&lt;!--l. 25--&gt;&lt;p class=&quot;indent&quot;&gt;   He attended The University of Wisconsin&amp;#8212;Madison (Ph.B., 1948), The
University of California&amp;#8212;Berkeley (M.A., 1950) and The University of Minnesota
(Ph.D., 1960). He taught at The University of Idaho and The University of
Kentucky before coming to The University of Utah in 1960, where he taught
English literature and History of Ideas for 32 years and served as Dean
of the College of Letters and Sciences (until its division into separate
colleges in 1970) and as Chairman of the Department of English (1971 to
1975). He was the author of one book &lt;span 
class=&quot;cmti-10x-x-109&quot;&gt;Swift and The Twentieth Century&lt;/span&gt;
(1964) and other studies of the eighteenth century satirist, Jonathan
Swift.
&lt;/p&gt;&lt;!--l. 36--&gt;&lt;p class=&quot;indent&quot;&gt;   He married Leta Jean Slack in 1947, with whom he had three sons, John
Gregory (Northport, FL), James Lewis (Kalamazoo, MI) and Andrew Charles
(Oakland, CA). He is survived by his sons and six grandchildren, Nicholas
(Madison, WI), John and Zachery (St. Louis), Janna, Jesse and Evan
(Kalamazoo) and by daughters-in-law Rebecca (Kalamazoo) and Lisette
(Northport), by sister, Beatrice Manskee (Milwaukee) and special friend, Beth

Burdett (Salt Lake City).
&lt;/p&gt;&lt;!--l. 44--&gt;&lt;p class=&quot;indent&quot;&gt;   He was a lay reader at St. Paul&amp;#8217;s Episcopal Church, and served on the boards
of several organizations including The Utah ACLU, The Salt Lake Chamber
Music Society, and The Friends of the Children&amp;#8217;s Center.
&lt;/p&gt;&lt;!--l. 48--&gt;&lt;p class=&quot;indent&quot;&gt;   In lieu of flowers, the family suggests donations to The Salt Lake Chamber
Music Society, P.O. Box 58825, SLC, UT 84158-0825. A memorial will be held on
Friday, August 4, 6pm - 8pm at Fort Douglas Post Chapel, 120 South Ft Douglas
Blvd (around 2100 east). Friends and family will also gather at his home at 1376
East Princeton Avenue (1290 South), Salt Lake City after the memorial.
Condolences may be sent to miltonvoigt@gmail.com
&lt;/p&gt;

&lt;hr/&gt;

&lt;div class=&quot;verse&quot;&gt;
        &lt;!--l. 1257--&gt;&lt;p class=&quot;noindent&quot;&gt; &lt;span 
class=&quot;cmti-10x-x-109&quot;&gt;death &amp;amp; rain&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;
        &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;             &amp;#8212;for Andrew Voigt&lt;br /&gt;&lt;br /&gt;
        another dead dad&lt;br /&gt;
        summer&amp;#8212;light rain&lt;br /&gt;
        sounds on the rooftops&lt;br /&gt;&lt;br /&gt;
        can hear death&lt;br /&gt;
        bubbling up&lt;br /&gt;
        &amp;#8212;too proud&lt;br /&gt;&lt;br /&gt;
        no one&lt;br /&gt;
                                                                     

                                                                     
        makes it&lt;br /&gt;
        til August&lt;br /&gt;&lt;br /&gt;
        drifting in&lt;br /&gt;
        &amp;amp; out of&lt;br /&gt;
        sleep&lt;br /&gt;&lt;br /&gt;
        clouds&lt;br /&gt;
        cooler&lt;br /&gt;
        sounds of trains&lt;br /&gt;&lt;br /&gt;
        not a dream&lt;br /&gt;
        a real live&lt;br /&gt;
        loss&lt;br /&gt;&lt;br /&gt;
        gone&lt;br /&gt;
        is a word that says&lt;br /&gt;
        goodbye&lt;br /&gt;&lt;br /&gt;
        waiting&lt;br /&gt;
        for lightning&amp;#8217;s&lt;br /&gt;
        thunder&lt;br /&gt;&lt;br /&gt;
        (can I&lt;br /&gt;
        even give this&lt;br /&gt;
        to my friend?)&lt;br /&gt;&lt;br /&gt;
        each small moment&lt;br /&gt;
        makes a&lt;br /&gt;
        day&lt;br /&gt;&lt;br /&gt;
        even&lt;br /&gt;
        the ones that&lt;br /&gt;
        leave&lt;br /&gt;&lt;br /&gt;
        the rain&amp;#8217;s&lt;br /&gt;
        thinking&lt;br /&gt;
        water&lt;br /&gt;&lt;br /&gt;
        the sun&amp;#8217;s thinking&lt;br /&gt;
        morning the day&lt;br /&gt;
        after death&lt;br /&gt;&lt;br /&gt;
                                                                     

                                                                     
        &amp;#8220;after death&amp;#8221;&lt;br /&gt;
        so many millenium&lt;br /&gt;
        answers&lt;br /&gt;&lt;br /&gt;
        let&amp;#8217;s make it&lt;br /&gt;
        simple&lt;br /&gt;
        absence&lt;br /&gt;&lt;br /&gt;
        not here&lt;br /&gt;
        not there&lt;br /&gt;
        not&lt;br /&gt;&lt;br /&gt;
        not yesterday&lt;br /&gt;
        any&lt;br /&gt;
        more&lt;br /&gt;&lt;br /&gt;
        back to rain&lt;br /&gt;
        rivers&lt;br /&gt;
        oceans&lt;br /&gt;&lt;br /&gt;
        small things&lt;br /&gt;
        like sitting&lt;br /&gt;
        in the mist&lt;br /&gt;&lt;br /&gt;
        in the midst&lt;br /&gt;
        of&lt;br /&gt;
        forgetting&lt;br /&gt;&lt;br /&gt;
        no&lt;br /&gt;
        more&lt;br /&gt;
        anymore&lt;br /&gt;&lt;br /&gt;
        writing&lt;br /&gt;
        while&lt;br /&gt;
        waiting&lt;br /&gt;&lt;br /&gt;
        to hear&lt;br /&gt;
        him&lt;br /&gt;
        move&lt;br /&gt;&lt;br /&gt;
        even some&lt;br /&gt;
        blue as the sun&lt;br /&gt;
        moves through morning&lt;br /&gt;&lt;br /&gt;
                                                                     

                                                                     
        take&lt;br /&gt;
        your&lt;br /&gt;
        time&lt;br /&gt;&lt;br /&gt;
        echoes&lt;br /&gt;
        thought&amp;#8217;s&lt;br /&gt;
        body
&lt;/p&gt;
&lt;/div&gt;</description>
  </item>
  <item>
    <title>the noise of time</title>
    <link>http://www.haroldcarr.net/community/index.rss/2005/05/31#2005-05-31-TheNoiseOfTime</link>
    <description>
&lt;p&gt;Last weekend Julian, Flavia and I were in California to attend
and celebrate Venus and Chiara's graduation from UC Berkeley.  While
hanging out in the house we rented on Warm Springs Road between Glen
Ellen and Kenwood, Flavia brought me a copy of Jose Ortega y Gasset's
&lt;span class=&quot;emphasis&quot;&gt;&lt;em&gt;The Origins of Philosophy&lt;/em&gt;&lt;/span&gt; from the home's
bookshelves, knowing I'm drawn to books like that.  In it, he writes
that when we read the words of poets, or philosophers, we recognize
our own thoughts---they have simply taken the time to write them down
and perhaps organize them.&lt;/p&gt;&lt;p&gt;The day before the graduation ceremony, the day we arrived,
Flavia and Venus went off to Trader Joe's to pick up food and drink
for the party, while I walked up to the bookstores on Telegraph
Avenue, only three blocks from Venus and Chiara's apartment.  In
Cody's I picked up three books on Cognitive Science, my latest
obsession.  On the way to the register they had a prominent but
low-key display of the talk poet, David Antin's, just published &lt;span class=&quot;emphasis&quot;&gt;&lt;em&gt;i never knew what time it was&lt;/em&gt;&lt;/span&gt;.  I've always admired
his ability to just stand up and talk and be interesting, casual and
honest.&lt;/p&gt;&lt;p&gt;While paying for the books the cashier asked me, &quot;don't you
want him to sign your book&quot;?  Turns out that's what the display was
about---he was giving a talk that night, in fact right then.  I went
upstairs to the talk space and saw about 14 people waiting, the small
number surprised me.  Unfortunately David Antin was not there yet and
I couldn't stay---we were scheduled to drive into San Francisco to
meet Chiara and her parents and sister for dinner.&lt;/p&gt;&lt;p&gt;This morning, reading his book, he says what he is doing is
&quot;entertaining ideas not people.&quot; In one comic section he talks about
mouse traps being a logical machine embodying a single truth: desire
leads to death.  But a fastidious mouse may not press the lever, thus
another truth: manners are a life and death matter.  Or a clumsy mouse
might jostle the base setting it off without even entering it: god
looks out for fools.&lt;/p&gt;&lt;p&gt;The talk continues with his distinction between story and
narrative.  &quot;A story is a logical form: a representation of a series of
events that result in a significant transformation.  A narrative is a
representation of the confrontation of somebody who wants something
with a threat and/or promise of a transformation that he or she
struggles to bring about or prevent or both.&lt;/p&gt;&lt;p&gt;&quot;Why struggle for/against transformation?  The answer may lie
close to the anxiety produced by the paradox that however much we are
tempted by transformation we may lose ourselves in that
transformation.  Or maybe it lies closer to the terror of absolute
erosion --- it's the loss of the self that we are struggling
against.  Noise --- the growing disorder that affects all ordered
systems over time.  The frictional forces that reduce all directed
energies to forms of disorder given enough time&lt;/p&gt;&lt;p&gt;&quot;Time does strange things to you.  It's a bit like the ocean.
Mostly is takes things away but it also casts things up on the beach.
New things or old ones from different places, now looking very
different.  Every bit of disorder contributes to the formation of a
new order, usually worse but sometimes better.&lt;/p&gt;&lt;p&gt;&quot;You lose a lot and you may win a few.  Maybe in the end you
lose it all, but meanwhile some disorder may be good for you even if
you don't know it.&quot;&lt;/p&gt;&lt;p&gt;Now, done reading for the moment, having come downstairs for
breakfast, I help Tika to stand up so she can go outside.  And that's
the sad connection of this narrative---she has a hard time getting up
on her own.  Upon returning from California we noticed her limping
when taking her and Suni for their favorite walk to city creek.  We
took Tika to the vet on Saturday (we had to reschedule our original
Thursday/Friday appointments because we both had a strange late-Spring
flu).  We expected the vet to say she is having a problem with her leg
related to her Tibea Plateau Leveling Osteotomy she had two years
ago.  But not so lucky.&lt;/p&gt;&lt;p&gt;He took x-rays.  Tika has cancer in her leg that is so severe
it is most likely in her internal organs also.  It's advance too far
to do anything.  And, at her age, 13 1/2 years, it would be difficult,
even if possible.&lt;/p&gt;&lt;p&gt;So we have her at home, loving her, celebrating our life with
her, dreading the upcoming decline.  The vet gives her one month to
live.&lt;/p&gt;</description>
  </item>
  <item>
    <title>Craig Crowther Poetry/Music Tribute</title>
    <link>http://www.haroldcarr.net/community/index.rss/2005/04/20#2005-04-20-CraigCrowtherPoetryMusicMemorial</link>
    <description>
&lt;/div&gt;&lt;p&gt;Tonight we honored our friend &lt;a href=&quot;http://craigcrowther.org/&quot; target=&quot;_top&quot;&gt;Craig Crowther&lt;/a&gt; with music and poetry.&lt;/p&gt;&lt;div class=&quot;itemizedlist&quot;&gt;&lt;ul type=&quot;disc&quot;&gt;&lt;li&gt;&lt;p&gt;&lt;a href=&quot;http://www.limberlostpress.com/authors/anderson.htm&quot; target=&quot;_top&quot;&gt;Sandy Anderson&lt;/a&gt; opened the evening reading &lt;a href=&quot;http://craigcrowther.org/bio.html&quot; target=&quot;_top&quot;&gt;what we wrote&lt;/a&gt; for &lt;a href=&quot;http://www.slweekly.com/editorial/2003/edit_2003-10-16.cfm&quot; target=&quot;_top&quot;&gt;John Saltas&lt;/a&gt; of the &lt;a href=&quot;http://craigcrowther.org/2005-04-20-tribute/2005-04-cityweekly.jpg&quot; target=&quot;_top&quot;&gt;Salt Lake City Weekly&lt;/a&gt; (and other papers).&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;Next, &lt;a href=&quot;http://arts.utah.gov/ovations_8dec2003.html&quot; target=&quot;_top&quot;&gt;Hector Ahumada&lt;/a&gt; told a story he felt was apropos of Craig.&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;The &lt;a href=&quot;http://cowdaddies.org/&quot; target=&quot;_top&quot;&gt;Cowdaddies&lt;/a&gt; (Kennard Machol, Rex Flinner and me) played &lt;span class=&quot;emphasis&quot;&gt;&lt;em&gt;Cucooz&lt;/em&gt;&lt;/span&gt; and &lt;span class=&quot;emphasis&quot;&gt;&lt;em&gt;Navajo Trail&lt;/em&gt;&lt;/span&gt;.&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;Sandy read poems relating to her long relationship
  with Craig as poet and publisher.&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;Harold read a &lt;a href=&quot;http://craigcrowther.org/2005-04-20-tribute/2005-04-20-Tribute-JoseKnighton.txt&quot; target=&quot;_top&quot;&gt;message and poem&lt;/a&gt; from &lt;a href=&quot;http://www.moabhappenings.com/Archives/business0104.htm&quot; target=&quot;_top&quot;&gt;Jose Knighton&lt;/a&gt; who now lives in Portland, Oregon.&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;The Cowdaddies did a couple more tunes: some unnamed Latin
 tune Kennard taught us the night before and &lt;span class=&quot;emphasis&quot;&gt;&lt;em&gt;Sally Gooden&lt;/em&gt;&lt;/span&gt;.&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;I read some of &lt;a href=&quot;http://craigcrowther.org/2005-04-20-tribute/2003-10-HaroldCarr-DeathInChile.txt&quot; target=&quot;_top&quot;&gt;what I wrote&lt;/a&gt; after I returned from Chile and found out Craig had died. 
   I lightened it up a bit with my &lt;a href=&quot;http://craigcrowther.org/2005-04-20-tribute/HaroldCarr-ScottsPass.txt&quot; target=&quot;_top&quot;&gt;&quot;trick-ta-piss&quot;&lt;/a&gt; that was one of Craig's favorites.
   I continued with a &lt;a href=&quot;http://craigcrowther.org/2005-04-20-tribute/2004-10-HaroldCarr-UpperCalfCreek.txt&quot; target=&quot;_top&quot;&gt; poem &lt;/a&gt; I wrote a year after Craig died hiking the
   first trail I ever hiked with Craig.  Then I picked up my bass and did &lt;a href=&quot;http://www.rooknet.com/beatpage/writers/welch.html&quot; target=&quot;_top&quot;&gt;Lew Welch's&lt;/a&gt; &lt;a href=&quot;http://craigcrowther.org/2005-04-20-tribute/LewWelch-Graffiti.jpg&quot; target=&quot;_top&quot;&gt;Graffiti&lt;/a&gt; - a poem Craig would always make me do regardless
     of the setting.  Then I read a fun poem by Craig, &lt;a href=&quot;http://craigcrowther.org/poems/moabhasseenthelastofme1/moabhasseenthelastofme.txt&quot; target=&quot;_top&quot;&gt;&lt;span class=&quot;emphasis&quot;&gt;&lt;em&gt;Moab Has Seen The Last Of Me&lt;/em&gt;&lt;/span&gt;&lt;/a&gt;.
     I finished by reading one of our favorite poems (by Lew Welch),
     that we call &lt;a href=&quot;http://craigcrowther.org/2005-04-20-tribute/LewWelch-RingOfBone.txt&quot; target=&quot;_top&quot;&gt;Ring of Bone&lt;/a&gt;.&lt;/p&gt;&lt;/li&gt;


&lt;li&gt;&lt;p&gt;Sandy read a message from Miriam Murphy and a
&lt;a href=&quot;http://craigcrowther.org/2005-04-20-tribute/2005-04-01-CraigCrowther-CharlesPotts.txt&quot;&gt;message&lt;/a&gt; from 
&lt;a href=&quot;http://www.thetemplebookstore.com/pottsbio.html&quot; target=&quot;_top&quot;&gt;Charles Potts&lt;/a&gt;.&lt;/p&gt;&lt;/li&gt;

&lt;li&gt;&lt;p&gt;&lt;a href=&quot;http://homepage.mac.com/swclow/&quot; target=&quot;_top&quot;&gt;Sherm Clow&lt;/a&gt;

read a funny and ironic

&lt;a href=&quot;http://craigcrowther.org/2005-04-20-tribute/2005-04-20-Tribute-ShermClow.txt&quot;&gt;poem&lt;/a&gt;

he wrote about finding out both he and
    Craig worked in the bowels of the Utah State capital.&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;The Cowdaddies ended the evening with &lt;span class=&quot;emphasis&quot;&gt;&lt;em&gt;Home On The Range&lt;/em&gt;&lt;/span&gt;.&lt;/p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;p&gt;A great number of Craig's river buddies were there, as well
  as most of his family.  We all hung out and enjoyed each other's
  company.  Here are some photos.&lt;/p&gt;

&lt;p&gt;Update: The night of the tribute I dreamed of Craig.  Very simple.
      He was sitting on a couch smiling at me, singing a song.&lt;/p&gt;

&lt;!-- ----------- --&gt;

&lt;p&gt;

&lt;table&gt;
&lt;tr&gt;

&lt;td&gt;
&lt;a href=&quot;http://haroldcarr.org/photos/2005/04/2005-04-20-CraigCrowtherMusicPoetryMemorial/index.html&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://haroldcarr.org/photos/2005/04/2005-04-20-CraigCrowtherMusicPoetryMemorial/thumbnails/pict0078.jpg&quot;&gt;&lt;div class=&quot;caption&quot;&gt;&lt;a href=&quot;http://haroldcarr.org/photos/2005/04/2005-04-20-CraigCrowtherMusicPoetryMemorial/index.html&quot; target=&quot;_top&quot;&gt;more pictures...&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/a&gt;
&lt;/td&gt;

&lt;td&gt;
&lt;a href=&quot;http://haroldcarr.org/photos/2005/04/2005-04-20-CraigCrowtherMusicPoetryMemorial/index.html&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://haroldcarr.org/photos/2005/04/2005-04-20-CraigCrowtherMusicPoetryMemorial/thumbnails/pict0087.jpg&quot;&gt;&lt;div class=&quot;caption&quot;&gt;&lt;a href=&quot;http://haroldcarr.org/photos/2005/04/2005-04-20-CraigCrowtherMusicPoetryMemorial/index.html&quot; target=&quot;_top&quot;&gt;more pictures...&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/a&gt;
&lt;/td&gt;

&lt;td&gt;
&lt;a href=&quot;http://haroldcarr.org/photos/2005/04/2005-04-20-CraigCrowtherMusicPoetryMemorial/index.html&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://haroldcarr.org/photos/2005/04/2005-04-20-CraigCrowtherMusicPoetryMemorial/thumbnails/pict0101.jpg&quot;&gt;&lt;div class=&quot;caption&quot;&gt;&lt;a href=&quot;http://haroldcarr.org/photos/2005/04/2005-04-20-CraigCrowtherMusicPoetryMemorial/index.html&quot; target=&quot;_top&quot;&gt;more pictures...&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/a&gt;
&lt;/td&gt;

&lt;/tr&gt;
&lt;/table&gt;

&lt;/p&gt;
</description>
  </item>
  <item>
    <title>Julien Markewitz</title>
    <link>http://www.haroldcarr.net/community/index.rss/2005/02/13#2005-02-13-JulienMarkewitz</link>
    <description>
&lt;p&gt;... and finally, approaching the present, honoring this moment,
honoring this small being becoming the future, teaching us to see what
is right before our eyes while we guide him around the sharp edges.&lt;/p&gt;&lt;p&gt;Here, today, let us simply say, good luck and strong bones.
Each of us can see their past unfolding here in him.  Each of us can
help the future unfold with a grin - with a hand held out to him so easy
to smile - to laugh.&lt;/p&gt;&lt;p&gt;That's a good place to be silent now - laughing together.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;http://www.haroldcarr.net/community/index.rss/photos/2005/02/2005-02-13-JulienMarkewitz/2005-02-13-JulienMarkewitz.html&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://www.haroldcarr.net/community/index.rss/photos/2005/02/2005-02-13-JulienMarkewitz/2005-02-13-JulienMarkewitz-Thumbnails/6.jpg&quot;&gt;&lt;div class=&quot;caption&quot;&gt;&lt;a href=&quot;http://www.haroldcarr.net/community/index.rss/photos/2005/02/2005-02-13-JulienMarkewitz/2005-02-13-JulienMarkewitz.html&quot; target=&quot;_top&quot;&gt;more pictures...&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/a&gt;&lt;/p&gt;</description>
  </item>
  <item>
    <title>Julian Carr in US Freeskiing Competition Day One at Snowbird</title>
    <link>http://www.haroldcarr.net/community/index.rss/2005/02/04#2005-02-04-USFreeSkiSnowbirdDayOne</link>
    <description>
&lt;p&gt;
Today, my son, 

&lt;a href=&quot;http://juliancarr.net/&quot;&gt;Julian Carr&lt;/a&gt;

had a great time competing in day one of the 

&lt;a href=&quot;http://www.usfreeskiing.com/&quot;&gt;US Freeskiing&lt;/a&gt;

world tour competition at Snowbird on the strength of his 10th place finish 
yesterday.

He came in 45th and the cutoff is 35 so he's out.  His friend Tyler
Knoles is also out.  But Julian is looking forward to going up to the
competition tomorrow to cheer his friend Parker Cook who made the cut.
&lt;/p&gt;

&lt;p&gt;Yesterday he came in 10th in the qualifier.  His friends Parker
Cook and Tyler Knoles also qualified.  Here are the results, the
qualifier on the left and day one on the right: &lt;/p&gt;

&lt;p&gt;
&lt;table&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;a href=&quot;http://www.haroldcarr.net/community/index.rss/photos/2005/02/2005-02-03-04-USFreeSkiSnowbirdResults/2005-02-03-USFreeSkiSnowbirdQualifierResults.jpg&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://www.haroldcarr.net/community/index.rss/photos/2005/02/2005-02-03-04-USFreeSkiSnowbirdResults/2005-02-03-USFreeSkiSnowbirdQualifierResults_sm.jpg&quot;&gt;&lt;div class=&quot;caption&quot;&gt;&lt;a href=&quot;http://www.haroldcarr.net/community/index.rss/photos/2005/02/2005-02-03-04-USFreeSkiSnowbirdResults/2005-02-03-USFreeSkiSnowbirdQualifierResults.jpg&quot; target=&quot;_top&quot;&gt;more pictures...&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/a&gt;
&lt;/td&gt;

&lt;td&gt;
&lt;a href=&quot;http://www.haroldcarr.net/community/index.rss/photos/2005/02/2005-02-03-04-USFreeSkiSnowbirdResults/2005-02-04-USFreeSkiSnowbirdDayOneResults.jpg&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://www.haroldcarr.net/community/index.rss/photos/2005/02/2005-02-03-04-USFreeSkiSnowbirdResults/2005-02-04-USFreeSkiSnowbirdDayOneResults_sm.jpg&quot;&gt;&lt;div class=&quot;caption&quot;&gt;&lt;a href=&quot;http://www.haroldcarr.net/community/index.rss/photos/2005/02/2005-02-03-04-USFreeSkiSnowbirdResults/2005-02-04-USFreeSkiSnowbirdDayOneResults.jpg&quot; target=&quot;_top&quot;&gt;more pictures...&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/a&gt;

&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;
&lt;/p&gt;

</description>
  </item>
  <item>
    <title>The Ritual of the Large and Small Bell</title>
    <link>http://www.haroldcarr.net/community/index.rss/2005/01/15#2005-01-15-RitualOfSmallAndLargeBell</link>
    <description>
&lt;p&gt;Two hand bells are placed in the center of a small, low-lying
circular table.  One bell, large and low.  The other, small and high.&lt;/p&gt;&lt;p&gt;When (and if) you feel like sharing and the large bell is in
the center of the table you take hold of it, ring it, then move it to
the edge of the table's circle nearest you.  Then you share.&lt;/p&gt;&lt;p&gt;While sharing, if another feels like commenting or responding
to your share, the other takes hold of the small bell, rings it
lightly one time, then moves it midway between the center and the edge
of the table nearest them.&lt;/p&gt;&lt;p&gt;When you feel like pausing your share for the midway bell response,
you move the large bell midway between your edge and the table's center
with a single ring.&lt;/p&gt;&lt;p&gt;Then the other moves the small bell to their edge for a &lt;span class=&quot;emphasis&quot;&gt;&lt;em&gt;short&lt;/em&gt;&lt;/span&gt; share or dialog with you.  When they are done the
other moves the small bell back to the center of the table with a
single ring.&lt;/p&gt;&lt;p&gt;Then you move the large bell back to your edge with a single ring
and resume sharing.&lt;/p&gt;&lt;p&gt;When you are finished with your share, you take hold of the large
bell, ring it, then move it back to the center.&lt;/p&gt;&lt;p&gt;Now both bells are in the center and another may take hold of the
large bell and begin their share.&lt;/p&gt;&lt;p&gt;You may share anything you like: a dream; some text or music
written by your or another; an painting or image; an idea; a memory;
silence or song; improvise; acting, dance; ...&lt;/p&gt;</description>
  </item>
  <item>
    <title>&lt;a href=&quot;http://juliancarr.net/&quot;&gt;Julian Carr&lt;/a&gt; jumps 150+ feet on skis</title>
    <link>http://www.haroldcarr.net/community/index.rss/2004/12/08#2004-12-08-JulianWolverine</link>
    <description>
&lt;p&gt; My son, &lt;a href=&quot;http://juliancarr.net/&quot;&gt;Julian Carr&lt;/a&gt;, a
competition free-skier, did a major jump last week. Here's the mail he
sent and a picture. &lt;/p&gt;

&lt;pre&gt; 
   Hi all again,

   2 days ago I jumped the 165 footer in Wolverine Cirque that Jamie
Pierre jumps in TGR's 'High Life'.  Skis stayed on and I skied away
clean (no digging out of a bombhole).  Greg Epstein, JK, Shroder, and
the Jackson boys filmed it on High Definition and was photographed by
Will Wissman.  Got a front flip off of a 50 footer for good measure
later on that Will shot as well.
 
   4 days ago I front flipped an 85 footer at Alta.  Pete O'brien w/
TGR filmed it on 16mm and Brent Benson shot it.  6 days ago I was able
to pull off 13 front flips off of 4 different 35 - 40 footers.  Each
one was either shot by Adam Clark, Steve Lloyd, and Will Wissman -
along with 'Wahsatch Powder Productions' filming some of them.
 
  Way Stoked !!!!
 
  From all of this Will Wissman has invited me on a heli trip to
Whistler to shoot.  I leave on December 19.
 
  I have a shot in the Powder's Photo Annual.  Adam Clark shot it - an
ad for the Freeskiing world tour - 40 footer at Snowbird.  Hope all is
well with you.
 
  Cheers,
 
  Julian
&lt;/pre&gt;

&lt;p&gt;
&lt;a href=&quot;http://www.haroldcarr.net/community/index.rss/photos/2004/12/2004-12-JulianCarrWolvie/index.html&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://www.haroldcarr.net/community/index.rss/photos/2004/12/2004-12-JulianCarrWolvie/2004-12-JulianCarrWolvie_s.jpg&quot;&gt;&lt;div class=&quot;caption&quot;&gt;&lt;a href=&quot;http://www.haroldcarr.net/community/index.rss/photos/2004/12/2004-12-JulianCarrWolvie/index.html&quot; target=&quot;_top&quot;&gt;more pictures...&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/a&gt;
&lt;/p&gt;</description>
  </item>
  <item>
    <title>Bruce Fowler, Alex Caldiero, Ken Sanders - sound and text</title>
    <link>http://www.haroldcarr.net/community/index.rss/2004/09/12#2004-09-12-FowlerCaldieroSanders</link>
    <description>
&lt;p&gt;Yesterday, 9/11, we attended a music and poetry performance at &lt;a href=&quot;http://www.kensandersbooks.com/&quot; target=&quot;_top&quot;&gt;Ken Sanders Rare Books&lt;/a&gt;.  First, members of &lt;a href=&quot;http://www.slajo.com/&quot; target=&quot;_top&quot;&gt;SLAJO&lt;/a&gt; improvised with composer/trombonist &lt;a href=&quot;http://www.findarticles.com/p/articles/mi_amgm/is_F/ai_amgm7311&quot; target=&quot;_top&quot;&gt;Bruce Fowler&lt;/a&gt;. Bruce, his brother and father are legends of music in Salt Lake,
pretty much setting the standards we all strive towards.  Bruce was in
Salt Lake from LA doing some investigation into his grandfather's work
- a painter.  His grandfather originally named Cecret Lake in Albion
Basin as &quot;Lake Minnie&quot;.  He also named Devil's Castle as &quot;The Tower
of Babel&quot;.&lt;/p&gt;&lt;p&gt;Next up was 

&lt;a href=&quot;http://www.slweekly.com/editorial/2004/feat_2004-05-27.cfm&quot;&gt;
Ken Sanders&lt;/a&gt;

reading from reading from Charles
Bowden's essay, &quot;Letter to the Next American President&quot; (to be be
published in the November issue of GQ).  Bruce and Ken &quot;traded
fours&quot; during Ken's reading.&lt;/p&gt;&lt;p&gt;Then &lt;a href=&quot;http://www.signaturebooks.com/various.htm&quot; target=&quot;_top&quot;&gt;Alex Caldiero&lt;/a&gt; did a 9-11 commemoration &quot;Rants &amp;amp; Laments
featuring Cow Mantras + Burka Dancers + Acts of Language + Mortar
Shell Gongs&quot;.  Very powerful.  As I said after Alex's 2004 Utah Arts
Festival performance - his poetry has taken a decidedly political turn.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.haroldcarr.net/community/index.rss/photos/2004/09/2004-09-11-BruceFowlerAlexCaldieroKenSanders/2004-09-11-BruceFowlerAlexCaldieroKenSanders.html&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://www.haroldcarr.net/community/index.rss/photos/2004/09/2004-09-11-BruceFowlerAlexCaldieroKenSanders/2004-09-11-BruceFowlerAlexCaldieroKenSanders-Thumbnails/2.jpg&quot;&gt;&lt;div class=&quot;caption&quot;&gt;&lt;a href=&quot;http://www.haroldcarr.net/community/index.rss/photos/2004/09/2004-09-11-BruceFowlerAlexCaldieroKenSanders/2004-09-11-BruceFowlerAlexCaldieroKenSanders.html&quot; target=&quot;_top&quot;&gt;more pictures...&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/a&gt;&lt;a href=&quot;http://www.haroldcarr.net/community/index.rss/photos/2004/09/2004-09-11-BruceFowlerAlexCaldieroKenSanders/2004-09-11-BruceFowlerAlexCaldieroKenSanders.html&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://www.haroldcarr.net/community/index.rss/photos/2004/09/2004-09-11-BruceFowlerAlexCaldieroKenSanders/2004-09-11-BruceFowlerAlexCaldieroKenSanders-Thumbnails/6.jpg&quot;&gt;&lt;div class=&quot;caption&quot;&gt;&lt;a href=&quot;http://www.haroldcarr.net/community/index.rss/photos/2004/09/2004-09-11-BruceFowlerAlexCaldieroKenSanders/2004-09-11-BruceFowlerAlexCaldieroKenSanders.html&quot; target=&quot;_top&quot;&gt;more pictures...&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/a&gt;&lt;a href=&quot;http://www.haroldcarr.net/community/index.rss/photos/2004/09/2004-09-11-BruceFowlerAlexCaldieroKenSanders/2004-09-11-BruceFowlerAlexCaldieroKenSanders.html&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://www.haroldcarr.net/community/index.rss/photos/2004/09/2004-09-11-BruceFowlerAlexCaldieroKenSanders/2004-09-11-BruceFowlerAlexCaldieroKenSanders-Thumbnails/1.jpg&quot;&gt;&lt;div class=&quot;caption&quot;&gt;&lt;a href=&quot;http://www.haroldcarr.net/community/index.rss/photos/2004/09/2004-09-11-BruceFowlerAlexCaldieroKenSanders/2004-09-11-BruceFowlerAlexCaldieroKenSanders.html&quot; target=&quot;_top&quot;&gt;more pictures...&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/a&gt;&lt;/p&gt;</description>
  </item>
  <item>
    <title>another death</title>
    <link>http://www.haroldcarr.net/community/index.rss/2004/08/02#2004-08-01-anotherDeath</link>
    <description>
&lt;p&gt;Recently, Flavia spent 10 weeks in Chile - mid-March through
May - helping her step-father recover from hip-replacement surgery.  I
worked from Sun's Santiago office for 3 weeks in the middle of that
period so we didn't have to spend so much time apart.&lt;/p&gt;&lt;p&gt;Flavia returned to the states the first week of June.  The rest
of the month was very pleasant with mild temperatures, afternoon
thunderstorms, the farmer's market, the Utah Arts Festival, the SL
Jazz Festival and working on our yard and enjoying reading and having
dinners on our porch.&lt;/p&gt;&lt;p&gt;Then, on Sunday, July 18, after a drive in the mountains, she
got a call from her brother, their father had died.  Her cry was long
and deep.  The next afternoon Flavia was on a flight to Chile,
arriving the following day and going straight to the funeral.&lt;/p&gt;&lt;p&gt;She is still in Santiago now, helping her mom adjust to a life
without her partner of 40+ years.  Here is Flavia with her mom and dad
last April and May:&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.haroldcarr.net/community/index.rss/photos/2004/04-05/2004-04-05-FlaviasParentsInChile/2004-04-05-FlaviasParentsInChile.html&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://www.haroldcarr.net/community/index.rss/photos/2004/04-05/2004-04-05-FlaviasParentsInChile/2004-04-05-FlaviasParentsInChile-Thumbnails/24.jpg&quot;&gt;&lt;div class=&quot;caption&quot;&gt;&lt;a href=&quot;http://www.haroldcarr.net/community/index.rss/photos/2004/04-05/2004-04-05-FlaviasParentsInChile/2004-04-05-FlaviasParentsInChile.html&quot; target=&quot;_top&quot;&gt;more pictures...&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/a&gt;&lt;/p&gt;</description>
  </item>
  <item>
    <title>Life continues...</title>
    <link>http://www.haroldcarr.net/community/index.rss/2004/04/23#2004-04-23-lifeContinues</link>
    <description>
&lt;p&gt;This week was hard.  Arranging my dad's funeral then speaking
at it last Monday. I sat around with my mom and sisters remembering
fun and good things about my dad.  That's what I spoke about.  I was a
pallbearer along with my son, Julian, 3 other grandsons and 1
great-grandson.  The rest of the week I worked with my sisters (especially
Valerie) and my mom, settling dad's affairs: life insurance, health
insurance, assets, etc.&lt;/p&gt;&lt;p&gt;Flavia is in Chile.  She's been there for 5 weeks helping her
mom with her step-dad, who just had hip-replacement surgery.  She
wanted to come back for my dad's funeral but my mom asked her to best
honor my dad by staying in Chile and continuing to help her parents.
I have been schedule to go to Chile too (working out of Sun's Santiago
office).  I was going to delay or cancel my trip but my sister Valerie
arranged to stay an extra week (from Iowa) so it looks like I'll leave
for Chile tomorrow.
</description>
  </item>
  <item>
    <title>My dad: Venice J. Carr 7/30/22 - 4/16/04</title>
    <link>http://www.haroldcarr.net/community/index.rss/2004/04/18#2004-04-18-myDad</link>
    <description>
&lt;p&gt;My dad wrote his own obituary in March 2001, the month before he had
open heart surgery to replace a valve:&lt;/p&gt;&lt;p&gt;Venice was born in Centerville, Utah to Willard G. and Annie
Call Carr. He was the eighth of ten children. He was raised around
Carr Printing Company, the family business. He experienced printing
from handsetting of type to hot metal casting of type on the Ludlow
and the Linotype, thru to making printing plates on the PhotoLathe and
the Dupont Dycril system. Then came photo-lithography and to the first
electronic printing system in Utah. Venice served as manager of Carr
Printing, Co. and in all officer positions including president of Utah
Printing Industry, Utah Printing Industry Credit Union and Printing
House Craftsmen of Utah. Venice established Carr Stationary as an
addition to Carr Printing Company. Venice enlisted and served four
years in the Army Signal Corps, which included seven months in the
Arctic on Baffin Island and in Guam, Okinawa and Tokyo at the end of
World War II. Venice was a charter member of the Bountiful Jeep Posse
and member of Jr. Chamber of Commerce, Lions Club and Bountiful
Businessmens Association. He was the first male PTA President in Davis
County. Venice married Audrey Deane Burke in Philadelphia on September
20, 1945. He and Audrey loved ballroom dancing. They both received
their Ruby Trophy from the Veloz and Yolanda dance studio in San
Francisco in 1957. Venice's lifetime hobbies have been photography and
now includes computers. He is a member of the LDS Church. He is
survived by his wife, four children, Valerie (step-daughter), Georgia,
Harold and Peggy and seven grandchildren and four
great-grandchildren. Venice passed away due to complications from a
fall. Funeral services will be held Monday, April 19, 2004 at 12:00
noon at the Bountiful 2nd Ward Chapel, 600 South 200 East. Friends may
call Sunday evening from 6:00 - 8:00 p.m. at the Russon Brothers
Bountiful Mortuary, 295 North Main and Monday morning from 10:30
a.m. to 11:45 a.m. at the church prior to
services. Interment-Bountiful City Cemetery. E-mail condolences to:
venice@haroldcarr.com.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.haroldcarr.net/community/index.rss/blog/community/dadsObituaryPhoto.jpg&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://www.haroldcarr.net/community/index.rss/blog/community/dadsObituaryPhoto_s.jpg&quot;&gt;&lt;/div&gt;&lt;/a&gt;&lt;/p&gt;
</description>
  </item>
  <item>
    <title>10 days in California with family and friends</title>
    <link>http://www.haroldcarr.net/community/index.rss/2004/02/29#2004-02-29-tenDaysInCalifornia</link>
    <description>
&lt;p&gt;On Thursday, the first night, I had dinner with &lt;a href=&quot;http://www.middleware-company.com/company/Bruce_Martin.shtml&quot; target=&quot;_top&quot;&gt;Bruce Martin&lt;/a&gt; and &lt;a href=&quot;http://www.middleware-company.com/TMCTechTalks/Salil.shtml&quot; target=&quot;_top&quot;&gt;Salil Deshpande&lt;/a&gt;, old friends from my early Sun DOE/NEO days.  They are now with &lt;a href=&quot;http://www.middleware-company.com/&quot; target=&quot;_top&quot;&gt;The Middleware Company&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;On Friday, the next day, Flavia flew to California too.  I met
up with her, her son, Venus, and his girlfriend, Chiara, at &lt;a href=&quot;http://www.lapena.org/&quot; target=&quot;_top&quot;&gt;La Pena&lt;/a&gt; in Berkeley for dinner and to hear our friend &lt;a href=&quot;http://www.rafaelmanriquez.com/&quot; target=&quot;_top&quot;&gt;Rafael Manriquez&lt;/a&gt; perform.  He literally sings like an angel, not to mention his superb
song writing.  Flavia and I have been fortunate to have performed with
him at La Pena in the past and we appear on a recent recording too.
After the concert we stayed late at La Pena hanging out with many of
Flavia's Chileno friends.  She was in her element.&lt;/p&gt;&lt;p&gt;We stayed with Venus and Chiara in their apartment for the
weekend.  We met Rafael and his partner Paz for breakfast on Saturday.
Then Flavia treated Venus and Chiara to a trip to the grocery store
(as all good parents do when they visit) while I walked to Telegraph
Avenue and browsed the bookstores - &lt;a href=&quot;http://www.codysbooks.com/&quot; target=&quot;_top&quot;&gt;Cody's&lt;/a&gt;, &lt;a href=&quot;http://www.moesbooks.com/&quot; target=&quot;_top&quot;&gt;Moe's&lt;/a&gt;, &lt;a href=&quot;http://www.ucmp.berkeley.edu/people/brs/books/shakes.html&quot; target=&quot;_top&quot;&gt;Shakespeare and Co&lt;/a&gt;. Shambala has closed down after 35 years.  I purchased a number of
books at Moe's, including Nietzsche's &lt;a href=&quot;http://www.powells.com/cgi-bin/biblio?inkey=1-0140445153-2;partner_id=27279&quot; target=&quot;_top&quot;&gt;&lt;span class=&quot;emphasis&quot;&gt;&lt;em&gt;Ecce Homo&lt;/em&gt;&lt;/span&gt;&lt;/a&gt; which I read during the week.&lt;/p&gt;&lt;p&gt;On Sunday Flavia and I left Venus and Chiara to study (they are
attending UC Berkeley) and went to Marin to hear another Chileno
musician friend play: &lt;a href=&quot;http://www.andrescondon.de/&quot; target=&quot;_top&quot;&gt;Andres Condon&lt;/a&gt;.  He has had success at building a touring career and offered us many
good suggestions and contacts.&lt;/p&gt;&lt;p&gt;Flavia and I then continued on to &lt;a href=&quot;http://www.sfzc.com/ggfindex.htm&quot; target=&quot;_top&quot;&gt;Green Gulch Zen Center&lt;/a&gt; where we got married.  We parked in the dirt lot above the yurt where
we had our ceremony and walked through the residences, past the
garden, to Muir beach.  I spent my time communing with &lt;a href=&quot;http://www.rooknet.com/beatpage/writers/welch.html&quot; target=&quot;_top&quot;&gt;Lew Welch's&lt;/a&gt; &lt;a href=&quot;http://www.emptymirrorbooks.com/thirdpage/upton.html&quot; target=&quot;_top&quot;&gt;Wobbly Rock&lt;/a&gt; while Flavia sat on the sand and gazed at the sea.  Again, she was in
her element.&lt;/p&gt;&lt;p&gt;Flavia returned to Utah on Monday while I stayed at California,
working on-site at Sun.  On Monday night I met up with Jed Krohnfeldt and
Arun Ramachandran of &lt;a href=&quot;https://www.hitachissi.com/&quot; target=&quot;_top&quot;&gt;Hitachi Storage Software&lt;/a&gt;, old friends from Patil Systems and &lt;a href=&quot;http://www.cirrus.com/&quot; target=&quot;_top&quot;&gt;Cirrus Logic&lt;/a&gt; days. We had a wonderful evening reminiscing.&lt;/p&gt;&lt;p&gt;On Tuesday morning I had breakfast with &lt;a href=&quot;http://www.filemaker.com/company/bio_le.html&quot; target=&quot;_top&quot;&gt;Chung Le&lt;/a&gt;, VP of Product Development at &lt;a href=&quot;http://www.filemaker.com/&quot; target=&quot;_top&quot;&gt;Filemaker&lt;/a&gt;.  Chung was my manager at Sun when I first joined in 1994.  He was my
first manager there and still, by far, the best.&lt;/p&gt;&lt;p&gt;I met &lt;a href=&quot;http://c2.com/cgi/wiki?DavidUngar&quot; target=&quot;_top&quot;&gt;David Ungar&lt;/a&gt; for lunch.  David was my mentor a year ago.  He is very good at asking
questions and not being satisfied with easy answers.  David is the father
of the programming language &lt;a href=&quot;http://c2.com/cgi/wiki?SelfLanguage&quot; target=&quot;_top&quot;&gt;Self&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;Wednesday evening I spent alone browsing &lt;a href=&quot;http://www.digitalguru.com/&quot; target=&quot;_top&quot;&gt;Digital Guru&lt;/a&gt; technical bookstore.  They seem to have taken the place of the defunct
Computer Literacy and Stacey's bookstores.&lt;/p&gt;&lt;p&gt;On Thursday I met my long-time and best friend, musician &lt;a href=&quot;http://www.bayimproviser.com/artistdetail.asp?artist_id=41&quot; target=&quot;_top&quot;&gt;Andrew Voigt&lt;/a&gt; at &lt;a href=&quot;http://www.yoshis.com/&quot; target=&quot;_top&quot;&gt;Yoshi's&lt;/a&gt; in Oakland.  We heard &lt;a href=&quot;http://www.marklevine.com/&quot; target=&quot;_top&quot;&gt;Mark Levine's&lt;/a&gt; Latin Tinge.  I took a few 1-1 theory classes with Mark Levine
around the time his book, &lt;a href=&quot;http://www.shermusic.com/tjtb.htm&quot; target=&quot;_top&quot;&gt;&lt;span class=&quot;emphasis&quot;&gt;&lt;em&gt;The Jazz Theory Book&lt;/em&gt;&lt;/span&gt;&lt;/a&gt; came out. Some of Flavia's bandmates from her &lt;span class=&quot;emphasis&quot;&gt;&lt;em&gt;Sol y Luna&lt;/em&gt;&lt;/span&gt; days were on the bandstand: &lt;a href=&quot;http://members.aol.com/mspirobata/&quot; target=&quot;_top&quot;&gt;Michael Spiro&lt;/a&gt; (with whom I was lucky to have played a couple of gigs with when &lt;a href=&quot;http://www.enigmaterial.com/jazz/candela/cand_3.html&quot; target=&quot;_top&quot;&gt;David Belove&lt;/a&gt; asked me to sub for him) and &lt;a href=&quot;http://www.enigmaterial.com/jazz/jh2002/jh02_stalmag.html&quot; target=&quot;_top&quot;&gt;Melecio Magdaluyo&lt;/a&gt;, who only played the last few tunes.  Andrew is at the beginning of a new
relationship with &lt;a href=&quot;http://lorib.com/&quot; target=&quot;_top&quot;&gt;Lori B&lt;/a&gt;.  He showed me her new CD which is about to be released.&lt;/p&gt;&lt;p&gt;On Thursday I spent the night alone at more bookstores.  I picked
up copies of Daniel J. Boorstin's &lt;a href=&quot;http://www.powells.com/cgi-bin/biblio?inkey=7-0679434453-8;partner_id=27279&quot; target=&quot;_top&quot;&gt;&lt;span class=&quot;emphasis&quot;&gt;&lt;em&gt;The Seekers&lt;/em&gt;&lt;/span&gt;&lt;/a&gt; and Bataille's &lt;a href=&quot;http://www.powells.com/cgi-bin/biblio?inkey=62-0802313248-0partner_id=27279&quot; target=&quot;_top&quot;&gt;Collected Poetry&lt;/a&gt; at &lt;a href=&quot;http://www.wessexbooks.com/&quot; target=&quot;_top&quot;&gt;Wessex Books&lt;/a&gt; in Menlo Park.  After dinner I spent the rest of the evening
browsing at &lt;a href=&quot;http://keplers.booksense.com/NASApp/store/IndexJsp&quot; target=&quot;_top&quot;&gt;Kepler's&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;I returned home to Flavia on Friday night.  I've spent the
weekend shoveling snow and reading &lt;span class=&quot;emphasis&quot;&gt;&lt;em&gt;The Seekers&lt;/em&gt;&lt;/span&gt;.  We
also watched De Niro's &lt;span class=&quot;emphasis&quot;&gt;&lt;em&gt;A Bronx Tale&lt;/em&gt;&lt;/span&gt;, which we checked
out from the library last night.&lt;/p&gt;&lt;p&gt;And I haven't even mentioned all the good people I met with
during the day at Sun, but that would not be appropriate.&lt;/p&gt;</description>
  </item>
  <item>
    <title>Alex Caldiero coming to dinner tonight</title>
    <link>http://www.haroldcarr.net/community/index.rss/2004/01/30#2004-01-30-alexComingToDinner</link>
    <description>
&lt;p&gt;The mountains across the valley - blue from the distance and
white with snow.  The snow and ice are melting after a month
of subfreezing temperatures.  The ice dams on our eves are dripping
away.  Still we need more snow and rain after 5 years of drought.&lt;/p&gt;

&lt;p&gt;We are looking forward to dinner tonight at our house with our
Sicilian guests, Alex Caldiero and his wife Setenay.  Alex is Utah's
preeminent performance poet.  He and I have performed on the same bill
a couple of times in the past.  And recently, Flavia and I were
involved in a multimedia performance with 

&lt;a href=&quot;http://anotherlanguage.org/art/video/interplay/index.html&quot; target=&quot;_top&quot;&gt;Another Language&lt;/a&gt; 

which included Alex (and others).  But we've never had a chance to
get to know each other better.  Perhaps that will change tonight.&lt;/p&gt;
</description>
  </item>
  <item>
    <title>Musician</title>
    <link>http://www.haroldcarr.net/community/index.rss/2003/12/30#2003-12-30-musician</link>
    <description>
&lt;p&gt;Next thing you know you've lost your whole life in bars playing
on weekends.&lt;/p&gt;
</description>
  </item>
  <item>
    <title>Gilgamesh and Craig</title>
    <link>http://www.haroldcarr.net/community/index.rss/2003/12/25#2003-12-25-GilgameshAndCraig</link>
    <description>
&lt;p&gt;The irony of taking &lt;em&gt;Gilgamesh&lt;/em&gt; to Filipe's funeral in Chile
not knowing that Craig was already dead.&lt;/p&gt;
</description>
  </item>
  <item>
    <title>Troy's Buddhist Ordination</title>
    <link>http://www.haroldcarr.net/community/index.rss/2003/12/13#2003-12-13-troysBuddhistOrdination</link>
    <description>
&lt;p&gt;Four white robes with bald
heads (except for one small patch on top) kneeling before the
black-robed Roshi.  A single candle burning near the Buddha behind
him.  Surrounded by black robes seated on cushions on
mats.&lt;/p&gt;&lt;p&gt;Three bows for your parents and family.&lt;/p&gt;&lt;p&gt;All black
chanting a monotone, &quot;be one with the Sanga honorable for its harmony
- the Buddha as been revealed.&quot; Punctuated by wood block claps. &quot;I vow
to refrain from talking about other's errors and faults.&quot;&lt;/p&gt;&lt;p&gt;Window
open letting in the cool winter air to offset the heat of all the
seated people.&lt;/p&gt;&lt;p&gt;&quot;You will receive assistance putting on the
robes. Since your a baby Buddha you must be dressed.&quot;&lt;/p&gt;&lt;p&gt;&quot;Each of
these times were hand-stitched.&quot;&lt;/p&gt;&lt;p&gt;&quot;Only the Buddha can cut the
last piece of hair on the top of your head.&quot;&lt;/p&gt;&lt;p&gt;The cushioned bell.
Another chant.&lt;/p&gt;&lt;p&gt;&quot;Cutting one's hair is cutting the root of human
attachment.&quot;&lt;/p&gt;&lt;p&gt;A certain repetition and monotony seems to be built
into the ceremony from my nanosecond 21st century perspective.&lt;/p&gt;&lt;p&gt;-
beads - bell - bowing -&lt;/p&gt;

</description>
  </item>
  <item>
    <title>Dream of Craig in Foothills of North Salt Lake</title>
    <link>http://www.haroldcarr.net/community/index.rss/2003/11/19#2003-11-21-dreamOfCraigInNSLFoothills</link>
    <description>
&lt;p&gt;We are in a 4-wheel-drive vehicle in the foothills of North Salt Lake
where I grew up.  Craig is driving.  We are trying to make it to the
mountain tops.  Craig says the roads are chained off when you get to
the lake bench 1/3 the way up but that the chains aren't locked and he
had removed them and gone further.&lt;/p&gt;&lt;p&gt;I spend more time with my head turned left looking at Craig in the cab
of the truck than looking out at the landscape.  I'm very aware (in
the dream) that any time spent with Craig is a gift since he's gone.&lt;/p&gt;&lt;p&gt;I see a steep road that seems to go straight up the mountain.  I say
let's take it.  Craig asks if I've been on it before.  I say it
strange but I've never even seen it.  You'd think I would know it,
having grown up here.&lt;/p&gt;&lt;p&gt;As we approach the bottom of the road I'm surprised that Craig is
making a slow half-hearted approach in 2-wheel-drive.  I suggest
putting it in 4-wheel-drive.  He turns and asks me, doyouthinkso?
with a smiling curious face.&lt;/p&gt;&lt;p&gt;Another car comes down the hill on the road and passes us as we
prepare to go up.  The road is covered in parts with ice, particularly
the bottom part.&lt;/p&gt;&lt;p&gt;We start to go up and I expect to slip a bit on the ice.  The dream
fades...&lt;/p&gt;

</description>
  </item>
  <item>
    <title>Death Oscillates</title>
    <link>http://www.haroldcarr.net/community/index.rss/2003/11/19#2003-11-19-deathOscillates</link>
    <description>
&lt;p&gt;I've always had a propensity for abstract ideas, and death,
like infinity, is abstract.  However, unlike infinity, death is very
concrete when you lose someone close.  But death still oscillates.  It
is very real---the person you love is not there any longer.  But it
still retains aspects of infinity---where did they go?&lt;/p&gt;&lt;p&gt;So, although I was fascinated by the Greek temples in Sicily
(which put life and death in a longer perspective) I still thought
about Filipe, Craig and death throughout each day.&lt;/p&gt;

</description>
  </item>
  <item>
    <title>Educating us to listen and speak clearly</title>
    <link>http://www.haroldcarr.net/community/index.rss/2003/11/07#2003-11-07-listeningSpeaking</link>
    <description>


&lt;p&gt;
Poor speaking engenders weak listening. For example, I have just spent
the last week at a conference in Sicily.  Over 90 percent of the
speakers had too many slides for the alloted time, had slides with too
many words on them, spent too much time on background material leaving
little time to discuss their unique contribution, read their slides
with their backs to the audience --- in other words, they spoke
poorly.  Many times, despite my efforts to listen, I found myself
falling asleep.
&lt;/p&gt;

&lt;p&gt;
Clear concise speaking enables resonant listening.  For example, one
speaker, &lt;a href=&quot;http://eis.jpl.nasa.gov/~dldvorak/&quot;&gt;Dan Dvorak&lt;/a&gt;
(of JPL), had simple slides with diagrams and lots of white space.
While the slides were up he faced the audience and narrated the
diagrams with words not present on the slides.  In other words, he
engaged the audience.
&lt;/p&gt;

&lt;p&gt;
What I am suggesting is that we need to be educated in how the speak
and listen effectively.  In the past I've always said that we are not
educated in two areas in which we will deal with for the rest of our
lives: sex and personal finance.  I now realize it is actually three
areas with the inclusion of effective listening/speaking.
&lt;/p&gt;

(I wrote the above in response to 

&lt;a href=&quot;http://www.bimstein.com/&quot;&gt;Phillip Bimstein's&lt;/a&gt;

article
&lt;a href=&quot;http://www.newmusicbox.org/sp_view_topic.nmbx?id=55sp00&quot;&gt;
Composing a Community Dialogue&lt;/a&gt;

in 

&lt;a href=&quot;http://www.newmusicbox.org/index.nmbx&quot;&gt;New Music Box&lt;/a&gt;.)</description>
  </item>
  <item>
    <title>&quot;Death's Thunder Fills the Universe&quot; - Bataille</title>
    <link>http://www.haroldcarr.net/community/index.rss/2003/11/01#2003-11-01-deathsThunder</link>
    <description>
&lt;p&gt;
Walking through the airport corridors toward the plane taking me to
Sicily, I catch my breathe - a slight pause of my heart - as I look at
the framed photographs of Southern Utah and remember Craig.
&lt;/p&gt;

&lt;p&gt;
Taking off in snow, rising through low clouds, we quickly reach the
sunny sky in our journey east. A white haze, above solid clouds,
gradually thinning into blue - no clear line, from this perspective,
between heaven and earth.  I'm in heaven now, looking for my friend.
&lt;/p&gt;

&lt;p&gt;
I'm being absorbed in the sun, in an immense solar flare pushing me
past the edge of the earth, a radiance linking my short allocation of
time with an unimaginable beyond.  Eternity - Birth - Life - Death -
Eternity.  Within &quot;Life&quot; innumerable joys and sorrows.  In &quot;Eternity&quot;
all that we are or ever will be.
&lt;/p&gt;

&lt;p&gt;
(The nachos served on the plane remind me of the ones we ate on the
San Juan shuttle on my first kayaking trip with Craig.)
&lt;/p&gt;

&lt;p&gt;
Death, something that happens to others, has happened to an &quot;other&quot;,
but another so close that is has happened to me - except the world
still exists, whereas, when I die, all will be gone.
&lt;/p&gt;</description>
  </item>
  <item>
    <title>Schroedinger's Cat</title>
    <link>http://www.haroldcarr.net/community/index.rss/2003/10/28#2003-10-28-schroedingersCat</link>
    <description>
&lt;p&gt;
Craig was alive until I returned from Chile and learned that he had
died a week earlier - the day I left.  He is still alive as I walk
down the hall - until I remember he is gone.  (Note how I am now
escaping in abstractions.  It's so easy to conceive I will see him
again - in &quot;heaven&quot;.)
&lt;/p&gt;</description>
  </item>
  <item>
    <title>Dreaming Craig</title>
    <link>http://www.haroldcarr.net/community/index.rss/2003/10/26#2003-10-26-dreamingCraig</link>
    <description>
&lt;p&gt;
My son and I are looking for our companions who are camped somewhere
on the upper terraces of a park.  We've searched many levels and are
about to give up when we see Craig carrying his bed roll from an upper
level to the one below us.
&lt;/p&gt;

&lt;p&gt;
We try to catch up with him to ask where the others are but by the
time we get near him he has laid out his bed roll in an isolated
corner of the park and is sitting on a cement-topped rock wall having
a smoke.
&lt;/p&gt;

&lt;p&gt;
It seems he wants some solitude so we walk away leaving him alone.  As
we go I remember seeing his strong slender bowed legs as he walked
ahead of us.
&lt;/p&gt;</description>
  </item>
  <item>
    <title>Mantra</title>
    <link>http://www.haroldcarr.net/community/index.rss/2003/10/25#2003-10-25-mantra</link>
    <description>
&lt;p&gt;
In the 80's I made the mantra
&lt;/p&gt;

&lt;p&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;    heal &amp;nbsp;&amp;nbsp;&amp;nbsp;  - &amp;nbsp;&amp;nbsp;&amp;nbsp;  whole &amp;nbsp;&amp;nbsp;&amp;nbsp;  - &amp;nbsp;&amp;nbsp;&amp;nbsp;  holy
&lt;/p&gt;

&lt;p&gt;
Now I have a new one - an additional one
&lt;/p&gt;

&lt;p&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;  gracious &amp;nbsp;&amp;nbsp;&amp;nbsp;  - &amp;nbsp;&amp;nbsp;&amp;nbsp;  grateful&amp;nbsp;&amp;nbsp;&amp;nbsp;   - &amp;nbsp;&amp;nbsp;&amp;nbsp;  grace
&lt;/p&gt;

&lt;p&gt;
(Note the shift from internal to external, from subject to object, from
mending to matter.)
&lt;/p&gt;
</description>
  </item>
  <item>
    <title>Phoning Craig</title>
    <link>http://www.haroldcarr.net/community/index.rss/2003/10/25#2003-10-25-phoningCraig</link>
    <description>
&lt;p&gt;
Now that I'm calmer, life is beginning to feel &quot;normal&quot;.  In my
previous &quot;normal&quot; life I didn't see or talk to Craig every day
(sometimes weeks would go by).  In that life I'd call him and say,
&quot;let's meet for lunch&quot;, or &quot;let's go hiking&quot;, or I'd walk over to his
office in the basement of the state capital and talk - inevitably
planning another outing.
&lt;/p&gt;

&lt;p&gt;
So my days are the same: I wake, I walk, I work, I write.  However,
there is one incommensurable difference: I can't call Craig.
&lt;/p&gt;

&lt;p&gt;
For the families of Craig and Filipe how can there be a normal day -
with their physical presence missing each day?
&lt;/p&gt;</description>
  </item>
  <item>
    <title>Absence and Intention</title>
    <link>http://www.haroldcarr.net/community/index.rss/2003/10/25#2003-10-25-absenceAndIntention</link>
    <description>
&lt;p&gt;
This morning Bataille told me why I've been writing since Craig died:
&lt;/p&gt;

&lt;p&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;   &quot;ink changes absence into intention&quot;
&lt;/p&gt;

&lt;p&gt;
just like me meeting with mutual friends.
&lt;/p&gt;

&lt;p&gt;
It's all abstract while I lie in bed - but real when I hike alone
without him.
&lt;/p&gt;
</description>
  </item>
  <item>
    <title>Disappointment, Fascination and Guilt</title>
    <link>http://www.haroldcarr.net/community/index.rss/2003/10/24#2003-10-24-disappoinmentFascinationGuilt</link>
    <description>
&lt;p&gt;
I've been meeting with mutual friends of Craig.  The contact has been
good to share our grief, but there also seems to be an element of
disappointment.  It seems we have also been meeting to stay in touch
with Craig but are ironically let down when the other person is not
him... he's still gone.
&lt;/p&gt;

&lt;p&gt;
As I return to the rhythm of my ordinary life it seems the last two
weeks have been an eternity occurring in an instance.  Looking back on
those first days of learning Craig died, I'm fascinated, fascinated
remembering how the world dissolved, how nothing existed except his
absence, how the core of my being was completely in the present -
there was no past, no future, just an infinitely empty now.
&lt;/p&gt;

&lt;p&gt;
On Monday I fly to California (and the following week to Sicily) to
give presentations on my work.  I'm already feeling guilty knowing
that I'll be so engaged that I won't have time to think about Craig
every hour of every day.  I don't want to bury myself in work to
forget.  I want to remember him.  I want to keep him alive.  But it's
a fact, life goes on regardless...
&lt;/p&gt;</description>
  </item>
  <item>
    <title>The Pleasure and Guilt of Working While Grieving</title>
    <link>http://www.haroldcarr.net/community/index.rss/2003/10/22#2003-10-22-pleasureGuiltWorkGrieving</link>
    <description>
&lt;p&gt;
At work, for the first time in two weeks, handling my tools gives me
pleasure - old friends who know each other well.  Working, focusing on
the task at hand, life feels normal.  Then, during any slight pause,
it's right there: Craig is gone.  Then I feel guilty for having
forgotten for a moment, for having felt pleasure - guilty, I guess,
for being alive.
&lt;/p&gt;

&lt;p&gt;
Pleasure, focus, forgetting, guilt ... alternate throughout the
day. The shock is subsiding, leaving a sad and confused heart.
&lt;/p&gt;



</description>
  </item>
  <item>
    <title>Anger</title>
    <link>http://www.haroldcarr.net/community/index.rss/2003/10/22#2003-10-22-anger</link>
    <description>
&lt;p&gt;
I pound the steering wheel and look out into the sky - there's nothing
I can do - it's absolutely final.  He left us without saying a word.
He was dying when we last spoke but I didn't know - he didn't know.
Pam even asked him, &quot;do you think you're having a heart attack&quot;?  He
just layed down and died.  She heard his last gasp.
&lt;/p&gt;

&lt;p&gt;
If only ...
&lt;/p&gt;
</description>
  </item>
  <item>
    <title>Men Crying in Public</title>
    <link>http://www.haroldcarr.net/community/index.rss/2003/10/22#2003-10-22-menCryingInPulic</link>
    <description>
&lt;p&gt;
I met with Randy for lunch today, someone I have only met briefly once
before.  He has been a friend of Craig's since junior high.  They
learned to play guitars together and then played together
professionally for 15 years.  Randy and I took turns remembering
Craig, choking up at points - two middle-aged men, essentially
strangers to each other, crying at lunch in a public restaurant.  Not
overflowing, just momentary tears as the memories touched us. That's
how much Craig meant to us and many others.
&lt;/p&gt;
</description>
  </item>
  <item>
    <title>Flavia returned from Chile</title>
    <link>http://www.haroldcarr.net/community/index.rss/2003/10/21#2003-10-21-flaviaReturnedFromChile</link>
    <description>
&lt;p&gt;
Today Flavia returned from Chile.  I met her at the airport.  We
embraced for a long time.  At lunch we cried, thinking of Filipe and
Craig.  At home I worked downstairs instead of up in my office so we
could be close to each other. She fell asleep early since her body is
still on Chilean time.
&lt;/p&gt;

&lt;p&gt;
While Flavia slept I talked on the phone with Russell, a long-time
friend of Craig's.  Russell and Craig rowed their rafts on my kayaking
maiden voyage on the San Juan - kayaking, something Craig got me
into. We all had plans with Craig.  Although Russell lives in Arizona
he just retired and was expecting to be able to be out with Craig even
more. Russell and I agree that, even though Craig was the center that
held us together, we need to keep meeting - running rivers, hiking -
out of respect for Craig and for ourselves. Craig will live in our
friendship.
&lt;/p&gt;</description>
  </item>
  <item>
    <title>Uintas with Craig's son</title>
    <link>http://www.haroldcarr.net/community/index.rss/2003/10/19#2003-10-19-uintasWithCraigsSon</link>
    <description>
&lt;p&gt; Today Noal and I hiked to Bench Lake in the Uintas.  Tracy didn't
come and we didn't scatter ashes - Pam's not ready.  No miracles
happened except we got to know each other better while remembering
Craig and talking our feelings.  Later, at home, leaving a message on
Julian's phone, I noticed my voice sounded up - even happy - for the
first time in a week.  &lt;/p&gt;
</description>
  </item>
  <item>
    <title>Another Day Alone</title>
    <link>http://www.haroldcarr.net/community/index.rss/2003/10/18#2003-10-18-anotherDayAlone</link>
    <description>
&lt;p&gt;
Yesterday we would have left for somewhere.  Many times we never knew
where, it didn't matter - we just left.  Instead I hiked White Rock
Loop on Antelope Island.  Today we'd be there, somewhere,
hiking. Instead I'm here alone - writing.
&lt;/p&gt;

&lt;p&gt;
Flavia says to lose someone close makes you more human, more gentle.
&lt;/p&gt;

&lt;p&gt;
Tomorrow I go with Noal and Tracy to spread some of his ashes where he
laid down on our last hike in the Uintas (to Bench Lake).
&lt;/p&gt;

&lt;p&gt;
We remember his voice but let's not forget his never-wavering
rock-solid rhythm guitar.
&lt;/p&gt;

&lt;p&gt;
Drifting today.  Didn't go hiking.  Saving my knees for tomorrow.
&lt;/p&gt;

&lt;p&gt;
Drifting.  Walking.  Farmers Market, Avenues library, Golden Braid.
Everywhere I go he's not there.
&lt;/p&gt;

&lt;p&gt;
It does help to tell this story of these days.  I'm even starting to
rewrite some of these lines in my head - something I have a
&lt;em&gt;little&lt;/em&gt; control over.
&lt;/p&gt;

&lt;p&gt;
Drifting.  &quot;Got your slinglite?&quot;  Drifting.  &quot;Got your leatherman?&quot;
Glad he was my friend.
&lt;/p&gt;

&lt;p&gt;
There may be no reason, but there is a rhythm in grief - as I am
discovering step-by-step, hour-by-hour, day-by-day.
&lt;/p&gt;

&lt;p&gt;
Keep walking.
&lt;/p&gt;

&lt;p&gt;
There are no paragraphs - just fragments and sentences floating by.
&lt;/p&gt;

&lt;p&gt;
Something is missing.
&lt;/p&gt;

&lt;p&gt;
It takes a long time to make a friend - a moment to lose.
&lt;/p&gt;

&lt;p&gt;
Letting go - someday the dust will settle.
&lt;/p&gt;</description>
  </item>
  <item>
    <title>Grieving in North Canyon</title>
    <link>http://www.haroldcarr.net/community/index.rss/2003/10/16#2003-10-16-grievingInNorthCanyon</link>
    <description>
&lt;p&gt;
Life standing still but my heart is still beating, my chest breathing,
my thoughts thinking.  I'm not thinking them, they're thinking me.
&lt;/p&gt;

&lt;p&gt;
After three days of crying, seeing mutual friends and family it came
to me that Craig would be laughing, saying &quot;what, your boss gave you
the week off to grieve and you're sitting around crying - get
outdoors!&quot;
&lt;/p&gt;

&lt;p&gt;
So today I'm hiking North Canyon alone, no one else could go.  North
Canyon has mostly been my solo trail - never came here with Craig.
&lt;/p&gt;

&lt;p&gt;
Lots of leaves on the ground and a few still waiting in the branches.
I suppose the falling leaves are telling me dying is beautiful.  Or
that life is short, remembering long.
&lt;/p&gt;

&lt;p&gt;
So far I haven't cried today.  But it's there waiting - waiting for
the slightest shift.
&lt;/p&gt;

&lt;p&gt;
This morning my gear was all packed and ready to go - still together
from the last hike Craig and I didn't do.
&lt;/p&gt;

&lt;p&gt;
Now walking up the trail, breathing deeper, starting to sweat,
removing layers - I know I'm alive.  With that life I'll try to live
gracefully and graciously with my living friends - with a lighter
touch but keep an edge to cut corners.
&lt;/p&gt;

&lt;p&gt;
Poetry, for me, has sometimes been a game - a game of survival - to
which I now return with no embellishments - just the facts - and the
facts, at this moment, are cold.
&lt;/p&gt;

&lt;p&gt;
It's the dying season making the trail soft with leaves.
&lt;/p&gt;

&lt;p&gt;
In a way I hope heaven or hell or some imaginary beyond is true so I
can hike with Craig again.  But I'm not counting on it.  I'll staying
with the earth, the rivers and the living.  I'm not expecting an angel
to save me.  Instead I'll stick to the trails - walking while
remembering Kerouac's words, &quot;don't forget your tenderness.&quot;
&lt;/p&gt;

&lt;p&gt;
It wasn't supposed to work this way.  We were going to stand in
streams in hip waders when we couldn't walk anymore.
&lt;/p&gt;

&lt;p&gt;
I've discovered something: it's very hard to cry and hike UP a trail
at the same time.
&lt;/p&gt;

&lt;p&gt;
On top, the mule's ears dried, curled and rustling in the slight
breeze.  The mountain mahogany blossomed long ago, the shrub oak
leaves still green.  As always, the lake and the islands steady on the
horizon.
&lt;/p&gt;

&lt;p&gt;
Quiet now, here alone on the ridge, looking out, over, into our
place. For the moment, calm in the mountains where we like to be.
&lt;/p&gt;

&lt;p&gt;
He really was my best friend but I don't think I knew it - it just
happened.
&lt;/p&gt;

&lt;p&gt;
I'm writing them down so my thoughts won't sting - wasp weaving in the
wind.
&lt;/p&gt;

&lt;p&gt;
Quiet now, lucky he was here - gone but not forgotten.  Someday me too
- we too.
&lt;/p&gt;

&lt;p&gt;
Always wanting and willing to see what was around the next bend.
&lt;/p&gt;

&lt;p&gt;
Now that he's nothing, there's nothing that separates us now.
&lt;/p&gt;

&lt;p&gt;
Not that I worry about danger, but something about being outdoors with
Craig made you feel safe.
&lt;/p&gt;

&lt;p&gt;
Each day outdoors build a bridge between us. Craig was my link and I
don't want to lose it.  Take up the slack - take up the slack.
&lt;/p&gt;

&lt;p&gt;
I've discovered something else - it's dangerous going downhill and
crying.
&lt;/p&gt;

&lt;p&gt;
I feel like calling him up and saying, &quot;do you know what it felt like
to learn you were dead!&quot;  Far worse than you hiding ahead on the trail
then jumping out - stopping my heart.
&lt;/p&gt;

&lt;p&gt;
There's a lot of lyrics we won't hear quite the same way anymore.
&lt;/p&gt;

&lt;p&gt;
For awhile I'm calm - kind of forgetting.  Then it comes back to me
but it feels like a mistake - like I heard something wrong - I must
have misunderstood.
&lt;/p&gt;

&lt;p&gt;
You know, it really is a fine fall day.  Still hiking in shorts and
tshirt east of the island.
&lt;/p&gt;

&lt;p&gt;
He didn't pass away - HE DIED.  He wouldn't dress it up.  He'd say,
&quot;I'm dead&quot; with a chuckle and glint in his eye.
&lt;/p&gt;

&lt;p&gt;
Later, at Adam's Canyon Falls, the stream going over the edge,
separating into thousands of distinct drops, then merging back into
the clear cold pool.
&lt;/p&gt;</description>
  </item>
  <item>
    <title>Almost midnight</title>
    <link>http://www.haroldcarr.net/community/index.rss/2003/10/16#2003-10-15-almostMidnight</link>
    <description>
&lt;p&gt;
I'm calling everyone I can that knew and loved Craig too.  I'm making
lists of my living friends.  I'm calling them to go on hikes.  I'm
visiting and having meals with friends.  Julian is staying close.  The
word &quot;community&quot; is growing larger in my vocabulary.  But the
mountains and desert don't seem as appealing right now without Craig.
If he were to see me he'd probably laugh and say I'm blowing a whole
week sitting around crying (since I'm not going to work) when I could
be using that time for camping.
&lt;/p&gt;</description>
  </item>
  <item>
    <title>6 AM</title>
    <link>http://www.haroldcarr.net/community/index.rss/2003/10/15#2003-10-15-6AM</link>
    <description>
&lt;p&gt;
dog barking in the distance &lt;br/&gt;
sound of occasional car passing by &lt;br/&gt;
mind drifting in a channel of memories &lt;br/&gt;
thinking of nothing &lt;br/&gt;
nerves randomly firing &lt;br/&gt;
wondering where I will walk without him &lt;br/&gt;
&lt;/p&gt;</description>
  </item>
  </channel>
</rss>