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  <channel>
    <title>Harold Carr   </title>
    <link>http://www.haroldcarr.net</link>
    <description>Harold Carr</description>
    <language>en</language>

  <item>
    <title>Joshi Marshall Project in Sonoma</title>
    <link>http://www.haroldcarr.net/2010/04/19#2010-04-09-Joshi-Marshall-Project-in-Sonoma</link>
    <description>
&lt;p&gt;
&lt;a href=&quot;http://picasaweb.google.com/harold.carr/20100409_Joshi_Marshall_Project_in_Sonoma#&quot; target=&quot;_top&quot;&gt;
  &lt;div class=&quot;mediaobject&quot;&gt;
    &lt;img src=&quot;http://lh4.ggpht.com/_qtlQLMzogEE/S8Dr9ScKwXI/AAAAAAAAzqo/Y6GTTpkX4cc/s128/IMG_1720.JPG&quot;/&gt;
  &lt;/div&gt;
  &lt;div class=&quot;caption&quot;&gt;Eric Vogler&lt;/div&gt;
&lt;/a&gt;
&lt;/p&gt;

&lt;p&gt;
On April 9, 2010 Flavia and I heard the
&lt;a href=&quot;http://www.joshimarshall.com/&quot;&gt;Joshi Marshall Project&lt;/a&gt;
at the Plaza Bistro in Sonoma (part of the 
&lt;a href=&quot;http://sonomavalleyjazzsociety.com/jazz__the_plaza_bistro&quot;&gt;
   &quot;Jazz in the Backroom&quot;&lt;/a&gt;
series sponsored by the Sonoma Jazz Society).
&lt;/p&gt;

&lt;p&gt;
They really dug in - it sure wasn't &quot;nice&quot; dinner music for the wine
crowd.  I liked it a lot.  Here is who played and their set list:
&lt;p&gt;



&lt;p&gt;personnel
&lt;ul&gt;
&lt;li&gt;Joshi Marshall, tenor sax&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;http://www.ericvogler.com&quot;&gt;Eric Vogler&lt;/a&gt;, bass&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;http://www.myspace.com/ericgarland&quot;&gt;Eric Garland&lt;/a&gt;, drums&lt;/li&gt;
&lt;/ul&gt;
&lt;/p&gt;

&lt;p&gt;set list&lt;/p&gt;
&lt;p&gt;1
&lt;ul&gt;
&lt;li&gt;... (they were already playing when we arrived)&lt;/li&gt;
&lt;li&gt;Green Dolphin Street&lt;/li&gt;
&lt;li&gt;?&lt;/li&gt;
&lt;li&gt;In a Sentimental Mood&lt;/li&gt;
&lt;/ul&gt;
&lt;/p&gt;

&lt;p&gt;2
&lt;ul&gt;
&lt;li&gt;Seven Steps To Heaven&lt;/li&gt;
&lt;li&gt;Chan Chan (from Buena Vista Social Club)&lt;/li&gt;
&lt;li&gt;Oleo&lt;/li&gt;
&lt;/ul&gt;
&lt;/p&gt;

&lt;p&gt;3
&lt;ul&gt;
&lt;li&gt;Me We (original)&lt;/li&gt;
&lt;li&gt;March of the Red Rhino (original)&lt;/li&gt;
&lt;li&gt;Bemsha Swing&lt;/li&gt;
&lt;/ul&gt;
&lt;/p&gt;

&lt;!--
joshimarshall@gmail.com
eric@subnantic.net
ericvogler@gmail.com
--&gt;</description>
  </item>
  <item>
    <title>The Perpetual Snare</title>
    <link>http://www.haroldcarr.net/2010/03/15#2010-03-15-The-Perpetual-Snare</link>
    <description>
&lt;!--
&lt;p&gt;
  &lt;div class=&quot;mediaobject&quot;&gt;
    &lt;img src=&quot;http://bandcamp.com/files/77/05/770524309-1.jpg&quot;&gt;
  &lt;/div&gt;
&lt;/p&gt;
--&gt;

&lt;p&gt;
&lt;object classid=&quot;clsid:D27CDB6E-AE6D-11cf-96B8-444553540000&quot; width=&quot;400&quot; height=&quot;100&quot; &gt;&lt;param name=&quot;movie&quot; value=&quot;http://bandcamp.com/EmbeddedPlayer.swf/album=3427756364/size=venti/bgcol=FFFFFF/linkcol=4285BB/&quot; /&gt;&lt;param name=&quot;quality&quot; value=&quot;high&quot; /&gt;&lt;param name=&quot;allowScriptAccess&quot; value=&quot;never&quot; /&gt;&lt;param name=&quot;allowNetworking&quot; value=&quot;always&quot; /&gt;&lt;param name=&quot;wmode&quot; value=&quot;transparent&quot; /&gt;&lt;param name=&quot;bgcolor&quot; value=&quot;#FFFFFF&quot; /&gt;&lt;embed src=&quot;http://bandcamp.com/EmbeddedPlayer.swf/album=3427756364/size=venti/bgcol=FFFFFF/linkcol=4285BB/&quot; width=&quot;400&quot; height=&quot;100&quot; type=&quot;application/x-shockwave-flash&quot; pluginspage=&quot;http://www.macromedia.com/go/getflashplayer&quot; quality=high allowScriptAccess=never allowNetworking=always wmode=transparent bgcolor=#FFFFFF &gt;&lt;/embed&gt;&lt;noembed&gt;&lt;a href=&quot;http://haroldcarr.bandcamp.com/album/the-perpetual-snare&quot;&gt;one by haroldcarr&lt;/a&gt;&lt;/noembed&gt;&lt;/object&gt;
&lt;/p&gt;

&lt;p&gt;
I shared some music
&lt;a href=&quot;http://haroldcarr.org/music/2010-03-02-music-with-Andrew-Voigt.html&quot;&gt;
   Andrew and I recorded&lt;/a&gt;
recently.  A number of people asked for more.&lt;/p&gt;

&lt;p&gt; A couple of years ago Andrew and I got together at Studio For with
Terry Roleri (guitar) and Debra Craig (drums).  Here are some cuts
from that session.&lt;/p&gt;
</description>
  </item>
  <item>
    <title>Other Minds Festival of New Music</title>
    <link>http://www.haroldcarr.net/2010/03/09#2010-03-04-Other-Minds</link>
    <description>
&lt;p&gt;
&lt;a href=&quot;http://picasaweb.google.com/harold.carr/20100304OtherMinds?feat=directlink&quot; target=&quot;_top&quot;&gt;
  &lt;div class=&quot;mediaobject&quot;&gt;
    &lt;img src=&quot;http://lh5.ggpht.com/_qtlQLMzogEE/S5KUZVbZz5I/AAAAAAAARmg/9BmRyGX2pm4/s128/PICT0025.JPG&quot;/&gt;
  &lt;/div&gt;
  &lt;div class=&quot;caption&quot;&gt;Carla Kihlstedt&lt;/div&gt;
&lt;/a&gt;
&lt;/p&gt;

&lt;p&gt;
On Thursday (3/4) I attended the opening night of the 
&lt;a href=&quot;http://www.otherminds.org/&quot;&gt;Other Minds&lt;/a&gt;
Festival of New Music in San Francisco (with Andrew).
&lt;/p&gt;

&lt;p&gt; The first piece was Jurg Frey's &lt;em&gt;Steichquartett II&lt;/em&gt;
(1998-2000) performed by the Quatuor Bozzini string quartet.  A very
minimal, quiet, spacious work with a touch of danger.  Basically it's
the quartet playing one chord after another for a little over twenty
minutes.  Here is an excerpt of the first two minutes:&lt;/p&gt;

&lt;p&gt;
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&lt;/p&gt;

&lt;p&gt;If you like that you can get the CD of that piece and four others from
&lt;a href=&quot;http://www.wandelweiser.de&quot;&gt;Edition Wandelweiser Records&lt;/a&gt;.
&lt;/p&gt;

&lt;p&gt;The next piece was Chou Wen-chung's &lt;em&gt;Twilight Colors&lt;/em (2007)
performed by the Left Coast Chamber Ensemble.  It was a double trio:
violin, viola, cello, clarinet/bass clarinet, oboe/english horn,
flute/alto flute.  It started out with various instruments trading the
same pitch with timbres that matched so close it was hard to tell
where one instrument left off and the next began.  Although played
well, this was not my favorite piece of the night.  It ended up
sounding kind of like 1940's mystery movie music.  As the piece
progressed the did lots of starting one motif in an instrument and
echoing it immediately in another.&lt;/p&gt;

&lt;p&gt;At intermission Andrew and I talked to members of the ROVA
saxophone quartet, Andrew's old band.  They will be premiering a piece
at Other Minds later in the week.&lt;/p&gt;

&lt;p&gt;The next piece was a short solo piano work, also by Wen-chung:
&lt;em&gt;The Willow Are New&lt;/em&gt;.  It was a quasi polytonal minor
pentatonic piece.&lt;/p&gt;

&lt;p&gt;The final piece of the evening was Lisa Bielawa's &lt;em&gt;Kafka
Songs&lt;/em&gt; (2001-2003) performed by Carla Kihlstedt on voice and
violin.  It was composed of about five or six shorter pieces, each
based on a sentence or two of Kafka's more introspect
&lt;em&gt;Meditation&lt;/em&gt; (1912).  Sentences such as: &quot;And this time I only
recognized these old games after being with them for such a long time.
I rubbed my fingertips against each other to erase the shame.&quot;&lt;/p&gt;

&lt;p&gt;Carla, after saying the sentence, would then proceed to sing the
words while simultaneously playing violin.  A seemingly simple,
sparse, but powerful presentation.&lt;/p&gt;

&lt;p&gt;My favorite work of the evening was Frey's string quartet (I
purchased the CD), with Bielawa's &lt;em&gt;Kafka Songs&lt;/em&gt; a close
second.&lt;/p&gt;
</description>
  </item>
  <item>
    <title>Cyrus Chestnut Trio at Yoshi's in San Francisco</title>
    <link>http://www.haroldcarr.net/2010/03/07#2010-03-03-Cyrus-Chestnut-Trio</link>
    <description>
&lt;a href=&quot;http://picasaweb.google.com/harold.carr/20100303CyrusChestnutTrio#&quot; target=&quot;_top&quot;&gt;
  &lt;div class=&quot;mediaobject&quot;&gt;
    &lt;img src=&quot;http://lh3.ggpht.com/_qtlQLMzogEE/S49inE-DU0I/AAAAAAAARZM/pII8gmY6hN4/s128/PICT0008.JPG&quot;/&gt;
  &lt;/div&gt;
  &lt;div class=&quot;caption&quot;&gt;Cyrus Chestnut&lt;/div&gt;
&lt;/a&gt;


&lt;p&gt;
On Wednesday (3/3) I heard the Cyrus Chestnut Trio at Yoshi's (the San
Francisco location).
&lt;/p&gt;

&lt;p&gt;Personnel:&lt;/p&gt;

&lt;ul&gt;
&lt;li&gt;Cyrus Chestnut, piano&lt;/li&gt;
&lt;li&gt;Dezron Douglas, bass&lt;/li&gt;
&lt;li&gt;Neal Smith, drums&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;Set list:&lt;/p&gt;

&lt;ul&gt;
&lt;li&gt;some Elvis tune (in G)&lt;/li&gt;
&lt;li&gt;N? Blues (in Eb)&lt;/li&gt;
&lt;li&gt;New Light (latin)&lt;/li&gt;
&lt;li&gt;Goliath (3/4 in F)&lt;/li&gt;
&lt;li&gt;Autumn Leaves (in G-, i.e., two flats)&lt;/li&gt;
&lt;li&gt;solo piano&lt;/li&gt;
&lt;li&gt;ballad (sounded like Little Town of Bethlehem)&lt;/li&gt;
&lt;li&gt;pop tune&lt;/li&gt;
&lt;li&gt;medium up swing tune&lt;/li&gt;
&lt;li&gt;Stripes (latin)&lt;/li&gt;
&lt;li&gt;It Is What It Is&lt;/li&gt;
&lt;/ul&gt;
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